“Almost like a real web
site”
|
IN7OMM.COM
• Search |
Contact
• News |
e-News |
• Rumour Mill |
Stories
• Foreign Language
• in70mm.com auf Deutsch
WHAT'S ON IN 7OMM?
7OMM FESTIVAL
• Todd-AO Festival
• KRRR! 7OMM Seminar
• GIFF 70, Gentofte
• Oslo 7OMM Festival
• Widescreen Weekend
TODD-AO
• Premiere |
Films
• People |
Equipment
• Library |
Cinemas
• Todd-AO Projector
• Distortion Correcting
PANAVISION
• Ultra Panavision
70
• Super Panavision
70
|
|
VISION, SCOPE & RAMA
1926
Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953
CinemaScope
1955 Todd-AO
1955 Circle Vision
360
1956
CinemaScope 55
1957 Ultra
Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super
Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope
70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema
180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001
Super Dimension 70
2018 Magellan 65
•
Various Large format
| 70mm to 3-strip |
3-strip to 70mm |
Specialty Large Format |
Special Effects in 65mm |
ARC-120 |
Super Dimension 70
| Early Large Format
• 7OMM Premiere in
Chronological Order
7OMM FILM & CINEMA
• Australia |
Brazil
• Canada |
Denmark
• England |
France
• Germany |
Iran
• Mexico |
Norway
• Sweden |
Turkey
• USA
LIBRARY
• 7OMM Projectors
• People |
Eulogy
• 65mm/70mm Workshop
• The 7OMM Newsletter
• Back issue |
PDF
• Academy of the WSW
7OMM NEWS
• 2026 | 2025 | 2024
• 2023 |
2022 |
2021
• 2020 |
2019 |
2018
• 2017 |
2016 |
2015
• 2014 |
2013 |
2012
• 2011 |
2010 | 2009
• 2008 | 2007 |
2006
• 2005 | 2004 |
2003
• 2002 |
2001 |
2000
• 1999 |
1998 |
1997
• 1996 |
1995 |
1994
|
in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
•
in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
to contribute.
•
Disclaimer |
Updates
• Support us
• Testimonials
• Table of Content
|
|
|
Extracts and longer
parts of in70mm.com may be reprinted with the written permission from
the editor.
Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
|
| |
Some notes from Karlsruhe |
Read more at in70mm.com The 70mm Newsletter
|
Written by: Anders
M Olsson, Lund, Sweden |
Date:
07.10.2016 |
Jan
Harlan (right) meeting Anders M Olsson at the Wolf's Schnitzlerei, in
Karlsruhe. Picture by Thomas Hauerslev
As usual, nice atmosphere, nice people, and a flawless organization!
Last time I was in Karlsruhe, two years ago, was very heavy on German
films and German dubbed prints. This year they were back to their usual
mix of German and English prints. I have no problem to sit through a
film dubbed in German, even though I don't understand it all. If it's a
good film that I haven't seen before, it only means that I'll have to
revisit it later on, on DVD or Blu-ray.
Thursday evening featured a "festival warm-up" in the form of
"2OO1: A
Space Odyssey" introduced by Stanley Kubrick's producer and
brother-in-law Jan Harlan. The film was shown in a 2K print which,
according to Paul Rayton, is an early DCP at a low bit rate, not quite
up to today's standards.
Having seen the film way too often, I left in the intermission to get
some rest after the day's travels. Sadly, that also meant that I missed
the Q&A with Jan Harlan after the film.
|
More in 70mm reading:
12. Todd-AO 70mm-Festival.
30. September - 2. October, 2016
Picture gallery
from 12th Todd-AO Festival @ the Schauburg Cinerama, Karlsruhe
Anders M
Olsson's Images from Cinerama's 60th Anniversary at the Dome
Mystery Cinerama truck in Sweden
Internet link:
|
Friday:
Starting Friday, the main part of the festival was in progress, and that
meant no more digital - only good old genuine 70mm prints from now on!
First came "Howard's End" dubbed in German, and that's a film I'll have
to watch again in its original language. Emma Thompson is simply
stunning, and Prunella Scales (Mrs. Fawlty in "Fawlty Towers") appears
in a minor part.
Then there was "Empire of the Sun" in English. Good work by Steven
Spielberg, but nothing remarkable, and a slightly erratic story that was
a little hard to see where it was really intended to go.
Finally "Batman vs. Superman" in English, a film that I've been
carefully avoiding so far. I probably should have avoided it this time
as well, but at least it's good to know that it's complete crap. Not
even the lovely Amy Adams as Lois Lane could save it. Superman / Clark
Kent dies in the end, but don't worry - I'm sure he'll be resurrected in
the next film...
|
|
Orla
Nielsen and Anders M Olsson inside the Schauburg. Picture by Thomas
Hauerslev
Saturday:
The advertised short films "Concorde" and "Bridge to Space" hadn't
arrived. They were stuck in customs somewhere, so instead we were
treated to a "surprise package" of other short films:
- "The March of Todd-AO", a pink print with German narration
- "Sky Over Holland", OK colorful print with no dialogue or narration
- A short clip from "The Agony and the Ecstasy" with Rex Harrison dubbed
in German. Pink.
- A (pink) commercial for Peter Stuyvesant cigarettes. I really felt the
urge to go out and have a smoke - not!
- A (pink) trailer for "Barabbas" with Anthony Quinn dubbed in German.
Then came the first feature film for the day, "Bolshoi Ballet 67". Not
much dialogue and narration, but what was there was all in Russian and
impossible to understand. Not quite my cup of tea, but still not
unpleasant to watch. Russian prints don't fade, but they do come in some
strange colors even when new.
After that, "Gorillas in the Mist". No question about it, that was the
best film of the festival so far. I thoroughly enjoyed it and completely
forgot that I wasn't supposed to understand the German dialogue. Had
this film been done today, they probably would have done away with the
"nuisance" of real gorillas, and done everything - jungle and all - in a
studio in Hollywood with computer animated animals. And the film
wouldn't have been half as good. Think Disney's "Jungle Book" remake. :(
"The Hunt for Red October" was presented in its original English version
with a remarkably good use of the surround channels. Most of the action
took place inside submarines which I found slightly boring. I probably
fell asleep once or twice...
After some food I skipped Tarantino's splatter movie
"The Hateful Eight"
and went back to my hotel for some well deserved sleep...
|
|
Thomas
Hauerslev's and his lecture explaining the highlights of San Francisco's
projection rooms / toilet facilities in 1994.
Picture by Orla Nielsen
Sunday:
The first item for the day was a slide show by Thomas Hauerslev about
his and Johan Wolthuis'
70mm promotion tour to the west coast of the
United States 22 years ago. Highly interesting, with some inside looks
at places long gone. It's amazing what level of hospitality the "dynamic
duo" enjoyed while in the U.S.
"Dick Tracy" was a demonstration of all the things that can go wrong
when translating a successful comic strip character to film. Not exactly
a film I'm anxious to see again any time soon, but some nice songs
performed by Madonna.
I skipped over "The Right Stuff". I saw it at its first run in the
eighties in Malmö, Sweden where I went to see it, expecting a normal one
and a half hour feature. After two hours I began to wonder whether it
wouldn't end soon. After two and a half, I started to feel
uncomfortable. After three hours I was desperate to go to the
bathroom... They reportedly ran the film WITH an intermission in
Karlsruhe, even though there wasn't supposed to be any. As Alfred
Hitchcock once said: "The duration of a film should not exceed the
capacity of the human bladder".
|
|
Projection
room monolith. 1x3x9.
Picture by Thomas Hauerslev
Then came what I consider the pinnacle of the festival:
"Little Shop of
Horrors". Wonderful humor, wonderful music, wonderful actors. Perfect
entertainment! (The only thing that can beat that film is the same story
done on stage. I saw the stage play twice in Malmö in 1986, which was
probably the most fun I've ever had at the theater.)
I also skipped "Lethal Weapon 2". Since my train to the airport was
leaving the next morning at two minutes to six (!) I really needed to go
to bed early.
I was very disappointed to learn that "Ben Hur" was going to be screened
on Monday at 11 o'clock in a newly restored 4K print. Had I known that
in advance, I would have booked a later flight for my return trip.
|
|
|
|
Go: back - top - back issues - news index Updated
21-01-24 |
|
|