• Go to Showcase Presentations Washington, DC
• Go to Showcase Presentations in Phoenix, USA
• Go to Showcase Presentations in Tucson
• Go to An exceptional run at the Sun
|Murder at the "Lichtburg"|
By Ulrich Rostek
A film based movie performance is something unique, especially with modern high resolution film stock, especially with 70mm film. A virgin print, no dust, no scratches, an image steadiness like solid rock. The fine film grain is hardly ever noticable and yet it adds something organic to the projected image, breathes life into the moving picture; a phenomenon digital projection is lacking - sadly.
|Once Upon A Time In The Rex: 85th Anniversary|
By Alain Dorange
The Rex is magic and is here to stay, this giant theatre is a landmark for the movies. The front of this massive building, with its tower 36m high bearing the three red letters ‘Rex’ can be seen from a fair distance along Les Grands Boulevards of Paris. Legend has it, that the Lumière Brothers said to George Melies in 1895 at the Grand Café, "The Cinematograph has no future. It will last two to three years, no more". How wrong they were.
|Showcase Presentations in Honolulu|
By Claude Ayakawa & Michael Coate
Continuing the “Showcase Presentations in…” series, we now proudly present: Honolulu, Hawaii. A Chronology of Large Format and Roadshow Exhibition, 1957-Present. The Cinerama Theatre was located on the outskirts of downtown Honolulu near the Waikiki district. It was once the Pawaa Theatre, a neighborhood house that was converted in 1962 to a 3-strip Cinerama venue for the Hawaii premiere of “The Wonderful World of the Brothers Grimm” at which time the theatre was renamed the Cinerama.
|Showcase Presentations in Chicago|
By Michael Coate, Tim O’Neill and Tamir Sharif
The duration of the engagements, measured in weeks, has been included for each entry in parenthesis following the cinema name. Note that some of the presentations included in this listing may have been presented in 35mm during the latter weeks of engagement due to print damage and the distributor’s unwillingness to supply a 70mm replacement print or because the booking was moved to a smaller, 35mm-only auditorium within a multiplex.
| || |
Online: 02-06-1999. Updated: 02-04-2018