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• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

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ORIGINAL 70MM ENGAGEMENTS
The 7OMM Engagements
By Mike Coate
The following are lists of the 70mm first-run engagements of a hand full of film titles in North America:
“Zoot Suit”
“Wolfen”
“Where Eagles Dare”
“The River”
“The Muppet Movie”
“The Black Hole”
“Hanover Street”
“Grease” and “Grease 2”
“Deliverance”
“The Cowboys”
“Big Trouble in Little China”
“Absolute Beginners”
“1941”

• Go to
70mm Engagements
• Go to in70mm.com's list of films blown up to 7OMM

The 70mm Trailer Anomaly
By Brian Walters
Some of the excellent sounding 70mm trailer examples were for “The Fly“, “Commando“ and “Full Metal Jacket“, all wonderfully dynamic sounding trailers that far exceeded the sound of the feature presentations which were to be in 35mm stereo optical sound only. The picture quality of these trailers, even though only blow ups from 35mm, was also usually superior because of the improved brightness, picture stability and improved definition from longer focal length lenses employed with 70mm projection.

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The Original 70mm Engagements Of "Star Wars"
• Go to
The Original Engagements Of “Star Wars”
• Go to
List of first-Week Engagements Of “Star Wars”

"Apocalypse Now"
By Mike Coate
The film was shown on a reserved-performance, guaranteed-seat basis and presented in 70-millimeter and Six-Track Dolby Stereo, which showcased a then-new quintaphonic split-surround audio mix.
"Around the World in 80 Days"
By David Coles
 
The Original 70mm engagements Of "Alien"
By William Kallay and Michael Coate
If released today, Ridley Scott's “Alien” would have opened on several thousand cinema screens across the country.  Back on Memorial Day weekend of 1979 when the film was originally released, however, there were fewer than 100 engagements, 91 select-market engagements to be exact.
“Ben-Hur”
By Mike Coate
Commemorating the golden anniversary of Metro-Goldwyn-Mayer’s 1959 production of “Ben-Hur”
"Blade Runner"
By Mike Coate
The film opened in nearly 1,300 cinemas, eleven of which showed it in the 70mm Six-Track Dolby Stereo
"Brainstorm"
By Mike Coate

Twenty-five years ago, “Brainstorm”, was released to movie theatres. Though the film was not a box-office success, it is remembered for its effective large-frame cinematography and sound design.
"Close Encounters Of The Third Kind"
By William Kallay and Michael Coate
What follows is a list of the known 70mm engagements of the movie "Close Encounters of the Third Kind". As one can glean from the list, 70mm engagements were aplenty on this title, with many "out-of-the-way" places often playing the movie in 70mm.
“The Concert for Bangladesh”: The 70mm Engagements
By Mike Coate
The following is a list of the 70-millimeter first-run engagements of “The Concert for Bangladesh” in North America. These were full-frame (2.20:1) prints blown-up from 16mm photography and included discrete six-track audio. The Apple/20th Century-Fox release was directed by Saul Swimmer and featured musical performances by Eric Clapton, Bob Dylan, George Harrison, Ravi Shankar, and many others.
“The Deer Hunter”: The 70mm Engagements
By Mike Coate
The following is a list of the 70mm first-run engagements of “The Deer Hunter” in North America. These were letterboxed prints (approximately 2.39:1) blown up from anamorphic 35mm photography. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The EMI production/Universal release, was directed by Michael Cimino and starred Robert DeNiro, John Cazale, John Savage, Meryl Streep and Christopher Walken.
"Die Hard"
By Mike Coate
“Die Hard” was released to movie theatres in 1988, in the high-quality 70-millimeter format.
“Dragonslayer”
By Mike Coate

The following is a list of the 70mm first-run engagements of “Dragonslayer” in North America. These were full-frame (2.20:1) blow-ups sourced from anamorphic 35mm photography. The audio was Six-Track Dolby Stereo (“A” encoded, split-surround). The Disney/Paramount co-production was released on June 26th, 1981.
“Edward Scissorhands”: The 70mm and CDS Presentations
By Michael Coate
70mm and Cinema Digital Sound presentations of “Edward Scissorhands” in North America. The 70mm prints were pillarboxed blow-ups sourced from spherical 35mm. The audio was either Six-Track Dolby Stereo or Cinema Digital Sound. The channel layout for these presentations was Left-Center-Right-Surround
 
 
"The Empire Strikes Back"
By Coate and Kallay
What is noteworthy about the release of "The Empire Strikes Back" with regard to the 70mm presentation format is that the film was (at the time) distributed with a record number of large-format prints for a saturation, non-roadshow-type release, eclipsing the record set the previous year by "Alien".
“Firefox”
By Mike Coate

The following is a list of the 70mm first-run engagementes of “Firefox” in North America. These were full-frame (2.20:1) blow-ups sourced from anamorphic 35mm photography. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The Malpaso production/Warner Bros. release, directed by and starring Clint Eastwood, was released on June 18th, 1982.
“Ghostbusters”: The 70mm Engagements
By Mike Coate
The following is a list of the 70-millimeter first-run engagements of “Ghostbusters” in North America. These were full-frame (2.20:1) prints blown up from anamorphic 35mm. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The Columbia release, directed by Ivan Reitman — and starring Bill Murray, Dan Aykroyd, Harold Ramis and Sigourney Weaver — opened on June 8th, 1984.
“Grease”
By Michael Coate
“The Dolby sound is terrific. This is a film that exhibitors might well play at higher sound levels for greater audience involvement.” — A.D. Murphy, Variety
“Gremlins”: The 70mm Engagements
By Mike Coate
The following is a list of the 70mm first-run engagements of “Gremlins” in North America. These were pillarboxed blow-ups (approximately 1.85:1) sourced from spherical 35mm photography. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The Amblin production/Warner Bros. release, directed by Joe Dante and starring Zack Galligan and Phoebe Cates, opened on June 8th, 1984.
“Greystoke”: The 70mm Engagements
By Mike Coate
The following is a list of the 70mm first-run engagements of “Greystoke: The Legend of Tarzan” in North America. These were full-frame 2.20:1 blow-ups sourced from Super-35 photography. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The Warner Bros. release, directed by High Hudson and starring Christopher Lambert and Andie MacDowell, opened on March 30th, 1984.
“Heaven’s Gate”: The 70mm Engagements
By Mike Coate
The following is a list of the 70mm first-run engagements of “Heaven’s Gate” in North America. These were letterboxed prints (approximately 2.39:1) blown up from anamorphic 35mm photography. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The United Artists release was directed by Michael Cimino and starred Kris Kristofferson, Christopher Walken, Isabelle Huppert, and Jeff Bridges. The running time of the 1980 screenings was 219 minutes, while the 1981 screenings ran 149 minutes.

• Go to “Howard the Duck”: The 70mm Engagements
“How the West Was Won”
By Mike Coate
This list consists only of first-run, reserved-seat engagements. Not included in the list are return engagements, mobile presentations, drive-in engagements, the 70mm single-panel re-release engagements, and contemporary screenings.
“Indiana Jones And The Last Crusade”
By Mike Coate
The summer of 1989 was a memorable one, in particular for fans of the 70mm presentation format. The studios that season circulated over 500 large-format prints of eight productions.
“Indiana Jones And The Temple Of Doom”
By Mike Coate
The summer of 1984 was a memorable one not just for movies in general but for fans of the 70mm
"It's A Mad Mad Mad Mad World"
By Mike Coate
Here is a list of the original roadshow runs of Stanley Kramer’s epic large-format comedy "It's A Mad, Mad, Mad, Mad World".
“Logan’s Run”: The 70mm Engagements
By Mike Coate
The following is a list of the North American 70-millimeter engagements of “Logan’s Run”. These were full-frame (2.20:1) prints blown-up from anamorphic 35mm photography. The audio was discrete six-track. A few of the prints were encoded with Dolby Noise Reduction, the first known usage of Dolby in connection with the 70mm format. The Saul David production/MGM release was directed by Michael Anderson and starred Michael York and Jenny Agutter.
“Manhunter”: The 70mm Engagements
By Mike Coate
The following is a list of the 70mm first-run engagements of “Manhunter” in North America. These were full-frame 2.20:1 blow-ups sourced from Super-35 photography. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The De Laurentiis Entertainment Group release, directed by Michael Mann and starring William Petersen, opened on August 15th, 1986.
“Octopussy”
By Mike Coate

The following is a list of the 70mm first-run engagements of “Octopussy” in North America. These were full-frame (2.20:1) blow-ups sourced from anamorphic 35mm photography. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The 13th James Bond release from Eon/Danjaq/MGM-UA starred Roger Moore and opened on June 10th, 1983.
"Oklahoma"
By David Coles
 
“Raiders of the Lost Ark”
By Mike Coate
A list of the 70mm Six-Track Dolby Stereo presentations during the initial months of the first-run release in North America.
"Return of the Jedi"
By Mike Coate
In 1983 release, “Jedi” had the largest order of 70mm prints struck for a film release, eclipsing the record set by “The Empire Strikes Back”
“Rollerball”: The 70mm Engagements
By Mike Coate
The following is a list of the 70-millimeter first-run engagements of “Rollerball” in North America. These were near full-width prints (approximately 2.00:1) blown-up from 35mm spherical photography and included discrete six-track audio. The United Artists release was directed by Norman Jewison and starred James Caan and John Houseman.
 
 
“Sleeping Beauty”
By Mike Coate
Commemorating the golden anniversary of Walt Disney’s production of “Sleeping Beauty”
"South Pacific"
By David Coles
 
“Star Wars”
By Mike Coate
Many moviegoers may have a distinct recollection of attending a 70mm presentation. However, in looking over the list of original engagements may be surprised to find that only eight 70mm engagements are noted
"Star Wars"
By William Kallay and Michael Coate
All known 70mm Six-Track Dolby Stereo engagements of the movie "Star Wars". Standard 35mm engagements. which the film was also released in, are not included.
"Streets of Fire"
By Mike Coate
The following is a list of the known 70mm first-run engagements of “Streets of Fire” in North America. All opened June 1, 1984. Any move-overs, sub-run and international engagements have not been included.
“The Thing”
By Mike Coate

The following is a list of the 70mm first-run engagements of John Carpenter’s “The Thing” in North America. These were full-frame (2.20:1) blow-ups sourced from anamorphic 35mm photography. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The Universal release, directed by John Carpenter and starring Kurt Russell, opened on June 25th, 1982.
“This Is Cinerama”
By Mike Coate
This list consists only of first-run, reserved-seat engagements. Not included in the list are return engagements, mobile presentations, drive-in engagements, the 70mm single-panel re-release engagements, and contemporary screenings.
1968: A Roadshow Odyssey
By Mike Coate
“2001: A Space Odyssey” had its world premiere on 2 April 1968 at the Uptown Theatre in Washington, D.C. The critically acclaimed film had what is believed to have been a record number of 70-millimeter wide gauge prints made for a film during the roadshow era.
"2001" Openings
By Mike Coate
Original 1968/69 reserved seat engagements of “2001: A Space Odyssey”.  Each was a 70mm six-track stereophonic sound presentation, with most having been promoted as a “Cinerama” presentation.
“Year of the Dragon”: The 70mm Engagements
By Mike Coate
The following is a list of the 70mm first-run engagements of “Year of the Dragon” in North America. These were letterboxed prints (approximately 2.39:1) blown up from anamorphic 35mm photography. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The MGM release, directed by Michael Cimino, and starring Mickey Rourke, John Lone and Ariane Koizumi, opened on August 16th, 1985.


• Go to 70mm Blow - Up Home Page

IN 70MM EVERYWHERE
Amsterdam 70mm Cinema
By Jan-Hein Bal
Du Midi was Amsterdam’s first and most successful 70mm cinema and started 70mm projection in 1960 with "Porgy And Bess"
New York City
By Jonathan Kleefield
"Lawrence of Arabia" was a milestone, and I had the privilege of attending this presentation at the Criterion Theatre. The impact that this film made on me was simply staggering and an overpowering experience.
Mexico City
By Miguel Carrara
The Mexican movie going public was not able to experience deluxe 70-millimeter and Cinerama presentations until many years after those innovations had been introduced in other countries around the world. However, once 70mm came to Mexico, a LOT of movies were shown in the large format
70mm Engagements in Rochester, NY
By Jim Barg
When I moved back to Rochester from London last year, I had the time to research for any information regarding local 70mm engagements, and the results are presented here.


• Go to Quentin Tarantino's "The Hateful Eight"

70MM AND CINEMAS IN...
Chicago | Detroit | Los Angeles (70mm) | Los Angeles (Cinema) | Phoenix | Salt Lake City | San Diego | San Francisco | "Twin Cities" |
By William Kallay and Michael Coate
70mm in London
By John Sharp
70mm Films in Turkey
By Cüneyt GÜVEN
 
CINERAMA and 70mm in Canada
By Bill Kretzel
70mm, Cinerama and Cinemiracle in Denmark | Danish 70mm Cinemas | Norway | Sweden
By Thomas Hauerslev
70mm Films in Sydney
By Peter Fraser
70mm Films in Sydney
By Peter Fraser:
In 7OMM with Doug Louden
By Doug Louden
Leaving school in 1975, I started as a projectionist for Hoyts Theatres as a spool boy winding 70mm reissues of "The Sound of Music" and "Hello, Dolly!". My dreams came true in 1976 when I worked at the Hoyts Plaza theatre with Tom Omaye as my head projectionist and in 1989 I got the life time ambition to run my own cinema on the south coast of Sydney before I moved to London in 1992
 

Online: 02-06-1999. Updated: 22-12-2016