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Super Panavision 70
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All
70mm film lists
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Compiled
by: Thomas Hauerslev. |
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Title |
Released |
Cinema |
Notes |
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The Big
Fisherman |
04.08.1959 |
Rivoli,
NYC, USA |
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Exodus |
15.12.1960 |
Warner, NYC, USA |
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West
Side Story |
18.10.1961 |
Rivoli,
NYC, USA |
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Lawrence
of Arabia |
09.12.1962 |
Odeon Leicester
Square, London |
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My Fair
Lady |
21.10.1964 |
Criterion, NYC, USA |
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Cheyenne
Autumn |
19.11.1964 |
Warner, London |
“World Press
Preview” 03.10.1964 - Lincoln, Cheyenne,
USA |
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Lord Jim |
15.02.1965 |
Odeon LS, London |
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Grand
Prix |
21.12.1966 |
Warner, NYC, USA |
New 70mm print
screened 23.05.2006 for Academy staff. |
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2001: A
Space Odyssey |
02.04.1968 |
Uptown, DC, USA |
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Ice
Station Zebra |
23.10.1968 |
Cinerama Dome, LA,
USA |
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Chitty
Chitty Bang Bang |
18.12.1968 |
State 2, NYC, USA |
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McKenna's
Gold |
18.03.1969 |
Royal, Münich,
Germany |
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Song of
Norway |
04.11.1970 |
Cinerama, NYC, USA |
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Ryan's
Daughter |
09.11.1970 |
Ziegfeld, NYC; USA |
Empire, London on
09.12.1970 |
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Symbiosis
(S) |
1982 |
EPCOT Centre,
Florida, USA |
Directed by Paul
Gerber for Disney
30 frames per
second and 12 track stereo. |
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Tron (P) |
08.07.1982 |
State 2, NYC, USA |
Live action filmed
in 65mm. Computer graphics photographed in VistaVision. |
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Brainstorm
(P) |
30.09.1983 |
Ziegfeld, NYC, USA |
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AUTO-E-Motion
(S) |
1984 |
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German film for BMW
museum |
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New
Magic |
1985 |
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Showscan
feature filmed with Super Panavision 70 rack over 65mm camera. |
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Norway
(S) |
1989 |
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Directed by Paul
Gerber for Disney |
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Warriors
of the Wasteland (S) |
1989 |
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Lawrence
of Arabia |
04.02.1989 |
Ziegfeld, New York,
USA |
Restored version |
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A
Year Along the Abandoned Road (S) |
11.06.1991 |
Grimstad, Norway. |
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Far and
Away |
22.05.1992 |
Ziegfeld, NYC, USA |
Panavision System
65
The Arriflex 65mm camera ARRI 765 was
used for short segments |
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Dead
Sea (S) |
18.11.1992 |
Sherman Oaks, CA,
USA |
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My
Fair Lady |
21.09.1994 |
Ziegfeld, NYC,
USA |
Restored
version |
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Hamlet |
25.12.1996 |
Ziegfeld, NYC, USA |
Panavision System
65. Technicolor, London manufactured 31 x 4-hour 70mm prints. 5 of
which were made from the original 65mm camera negative
(Technicolor, February 28, 1997).
The Arriflex 65mm camera ARRI 765 was
used for short segments. |
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New Ride
Film (S) |
2002 |
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EMVF in
65mm: Movies for your ears
(S) |
2003 |
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Never released in
70mm |
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Samsara |
2011 |
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Ron Fricke's follow
up to "Baraka". Currently shooting.
35mm and 4K exclusively |
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Further
in 70mm reading:
Internet link:
(S) = Short film |
The Super Panavision 70 / Panavision System
65 camera used for short segments
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Title |
Released |
Cinema |
Notes |
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The
Witness (S) |
1999 |
CT, USA, USA |
Major parts filmed
in ARRI 765 |
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Testaments
(S) |
2000 |
Salt Lake City, USA |
Major parts filmed
in ARRI 765 |
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The New
World |
2005 |
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The Panavision
System 65 camera was used hyper realistic scenes |
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The Prestige |
2007 |
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Quantum
of Solace |
31.10.2008 |
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Film largely
photographed with DALSA video cameras |
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Shutter Island |
2010 |
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Short sequences
filemd in Panavision PFX System 65 Studio &
ARRI 765
From American
Cinematographer:
In prep, the filmmakers tested various methods of further enhancing
the hyper-real look of Teddy’s visions; 65mm, anamorphic 35mm and
high-definition video were all considered as mates for the project’s
main format, Super 35mm. “The goal was to capture as much detail as
possible for the DI suite,” says Richardson. “There weren’t as many
differences among the filmouts as you might expect — the DI was the
great equalizer — but 65mm had a definitive edge. We could wrestle
with it in the digital world without the normal side effects
encountered with a smaller negative. After he saw the tests, Marty
agreed to shoot Teddy’s dream states on 65mm.” Unfortunately, after
filming one day with a Panavision PFX System 65 Studio and an Arri
765, both cameras broke down on a frigid night. “Only a few of those
shots remain,” says Richardson. (Ed. Note: These can be seen in a
dream sequence that shows Teddy in Dachau in civilian clothes.) |
 Inception |
2010 |
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"Inception" in 65mm |
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Updated
28-03-10 |
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