“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

TODD-AO
Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

PANAVISION
Ultra Panavision 70
Super Panavision 70
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Super Dimension 70Early Large Format
7OMM Premiere in Chronological Order

7OMM FILM & CINEMA

Australia | Brazil
Canada | Denmark
England | France
Germany | Iran
Mexico | Norway
Sweden | Turkey
USA

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

The H8 Down Under

Read more at
in70mm.com
The 70mm Newsletter
Written and photographed by: Brian Walters, Brisbane, Australia Date: 28.02.2016
The exterior of the Rivoli cinema

Quentin Tarantino’s 70mm Roadshow extravaganza “The Hateful Eight“ had a simultaneous showcase release in no less than six Australian cinemas from January 14th 2016. Three of these venues were in Sydney, Event Cinemas George St Complex, The Hayden Orpheum and The Randwick Ritz. Three other venues were in Melbourne, The Astor St Kilda, The Village Cinemas Rivoli Complex and The Sun Theatre Yarraville.

Most, if not all of these venues were visited by the director himself accompanied by Samuel L Jackson and Kurt Russell, who gave post show Q & A’s with the sold out audiences at George St, Hayden Orpheum and Village Rivoli cinemas for those designated Q & A sessions.

I attended two of the film presentations in Melbourne, firstly at “The Astor“ St. Kilda with it’s 20 metre big screen high impact presentation. This cinema has two Cinemeccanica Victoria 8 projectors and its presentation was done with change overs. It used two of the original Ultra Panavision anamorphic lens attachments for their season.

 
More in 70mm reading:

Quentin Tarantino's "The Hateful Eight" in Ultra Panavision 70

Around The 70mm World In Thirty Seven Days

The HATEFUL 8 @ the SUN theatre

The 70mm Trailer Anomaly

Internet link:

 
Curtains of the  Rivoli cinema

As I exited the 5:15 PM session I was confronted by a long queue of people waiting to enter for the 8:15 PM evening session. The queue ran from the cinema’s upper lobby area down the stairs through the lower lobby and then down the street beside the theatre. The following day I attended the 1:30 PM session at the beautiful art deco “Rivoli Complex“ cinema one. Here another Cinemeccanica Victoria 8 projector had recently been installed replacing the existing Kinoton FP30E projector that was side by side with the cinema’s digital projector. Both of these cinemas showed off the great quality of the Ultra Panavision 70 process to audiences that had mostly never seen this film format. On display was not only the razor sharp grainless image, but also the solid saturated colour rendition that only film presentations can currently deliver.
 
 
Cinemeccanica Victoria 8 machine with the anamorphic lens

Of the six cinemas that played the film, only “The Astor“ St Kilda and the “Hayden Orpheum“ were already equipped with 70mm projection equipment. It has been an extraordinary achievement by the film distributor to have so many cinemas worldwide equip with the cinema’s premiere release film format, paving the way for more wide releases of movies in the prestige 70mm format. Film lovers can now look forward to future releases such as Christopher Nolan’s “Dunkirk“ and the next “Planet Of The Apes“ instalment in 70mm release print format.
 
 

The Rivoli

 
The Rivoli cinema

 
 
The Rivoli cinema

 
 
The Rivoli cinema

 
 

The Astor

 
 
   
Go: back - top - back issues - news index
Updated 21-01-24