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Cinema as it Should Be - 70MM at the Savoy
Why board an international train and go
across sea, land and bridges to see 70mm?
|Read more at|
The 70mm Newsletter
Written and Photographd by: Thomas
Savoy on Steindamm in 2013.
Why board an international train and traverse sea, land and very long bridges to see 70mm? Well, why
not? Especially being able to combine a visit to an original
cinema, while seeing a new 70mm film at the same time! I felt it would be worth the
time, effort and expense to do so.
It's not a coincidence I chose this cinema for this "Todd-AO Express"
mission. The Savoy in Hamburg was the very first purpose-built Todd-AO cinema in
Europe. It opened 14. March 1957 with a huge curved screen, and 2017 is the
60th anniversary of the Savoy. To see an authentic 70mm premiere at the
Savoy has been on my wish list for a long time.
My "Todd-AO Express" journey coincided with the international 70mm release of Kenneth Branagh's
"Murder on the Orient Express"
(-, or MOTOE, as it is sometimes affectionally called). I've
looked forward to see his adaptation of the classic Agatha Christie tale of
a mystery on a
train for a long time esp. when it became known he was photographing it on
65mm film. I like Kenneth Branagh's work, and consider his previous 65mm
adventure "Hamlet" a masterpiece. This mission would satisfy
goals. See an authentic 70mm premiere, and see it on a curved screen in a
historic Todd-AO cinema.
More in 70mm reading:
Gallery: 70mm at the Savoy
"Murder on the Orient Express"
Filmtheater im "Haus Savoy"
The "Savoy" in Hamburg
The Savoy Reopened
+49 40 284093628
Savoy on Steindamm in 2013.
I decide to go in style to see the new train movie on Saturday 11. November
2017, two days after its official German premiere, and two weeks ahead of
its Danish 70mm premiere. I happen to believe in train travel as the best
way to go, and in this case it could not be more appropriate. It was a
16-hour full day excursion to Germany and back, for the magical 70mm. Here's
diary of travel thoughts from the
Super 7OMM in Hamburg's prestigious Savoy Film Theatre.
Time to get out of bed and depart for Hamburg. I've been to Hamburg many
times, as this metropolis is the gateway to Europe when you go by train
Scandinavia. My visits have often been short, usually an hour or
less, just changing platforms between two trains there. The central station is an
impressive building with a grand arch covering all 14 train tracks. There is
always a buzz of suitcases, locomotives, and iron wheels against rails
echoing in this cathedral of transportation. This time, however, Hamburg is
the end my rail journey of the day. I am about to board another Express
around one o'clock in the afternoon, but it is an entirely different kind of
Express. It's the Orient Express, and it is departing from the nearby
Savoy cinema in Steindamm street, 5 minutes walk from the central station.
gift certificates are sold from the cafe in metal movie cans.
Passing Vordingborg, and few moments later the impressive 3,2 kilometer
Storstroems Bridge (opened in 1937), with its three grand arches in the
middle. For a native of Copenhagen, and since my first visit to Paris in
1981, crossing this bridge, always meant excitement for me. I am
travelling into Europe by train crossing an amazing long railway bridge. I doubt the daily commuters
think any of it. 45 minutes later, the entire train rolls onto the ferry in Rødby Færge to cross the Baltic Sea. Today the sun is shining, and strong
winds up to 15-20 m/sec blows from the west. An hour later, the sea voyage
comes to an end and my train continues
from Puttgarden in Germany, and Hamburg is within reach.
12:20 early afternoon
Arrived in Hamburg, and only a few steps away from the Savoy. The station is
very crowded with travellers everywhere.
In September while returning from the
wonderful Schauburg Todd-AO Festival, I e-mailed the Savoy from the train and said,
"Passing through Hamburg Hauptbahnhof in some hours, and if possible, can I
have a look at the Savoy before my
next train, please? The projectionist Achim Orlia replied to my mail in the evening,
when I was well away on my corresponding train, bound for Copenhagen. We
failed to connect in time this time. I admit my notice was very
short. But hey, it was worth a try.
Savoy on Steindamm in 2013.
The history of the Savoy has already been
documented in great detail by Gerhard Witte, so
here's a short re-cap. The Savoy opened in 1957, and was equipped to show
Todd-AO from the beginning. The design of the cinema was built around the
curved screen, which was the essence of Todd-AO. Thanks to Todd-AO's High
Fidelity 6-channel sound system, and the sharp 70mm pictures on a huge
screen, it was a sensation when it first appeared. So life like, it gave the
audience a sensation of being "in the movies". A huge screen which nearly
curved around the audience - if they sat on the first few rows of seats it
actually extend that much. A
new cinematic experience, which allowed the audience to be part of the
action on the screen. New Sight! New Sound! New Screen! It was audience participation, which we all take for
granted today. Today's techno gadgets are called "4K", Dolby Atmos,
chairs, huge screens, and much more. But essentially it serves the same
purpose. To get the audience into the cinema.
60 years later, on Friday 10. November 2017, "Murder on the Orient
Express" premiered in a 70mm system similar to Todd-AO. In between all
those years, the Savoy has lived a tumultuous life. It is the unusual story
of a cinema with many years of film successes, decline in business,
multiplexing to five screens in the '80s, closure in the '90, re-opening as
a store, threats of demolition and ultimately, the rise, rebuilding and
re-opening June 19, 2013, as a luxurious
Savoy and the view from the screen, in 2013. Note the first row and the foot
rests and space for two wheel chairs.
Under the skilful hands of renovation Architect Heinz-Jürgen Schuhmacher,
the new owner, Hans Joachim Flebbe (1951), had the Savoy completely rebuilt, and
re-launched as a high-level lounge cinema. Mr. Flebbe is the founder of the CinemaxX
cinema group, which he left some years ago. In 2008 he re-opened the Astor
Film Lounge in Berlin, and since then he has renovated a hand full of
classic German cinemas to their former glory, and adapted them to the needs
of a modern audience. The Savoy originally had 957 seats. Today only 324
leather seats are
left, but they are all high-quality Norwegian produced Skeie seats. All seats are
very comfortable, and the first row (N) are recliners with individual foot rests. You can almost lie down and watch the
film. There is very good space between rows, and the Savoy has space for
three wheel chairs. There are 13 rows, with row N next to the screen, and
row A being furthest away from the screen.
13:00 Show start
Achim and Theatre Manager Gary Rohweder replied to my e-mail in September,
and I would be welcome as their guest. We discussed the possibility of a
visit in the event "MOTOE" would premiere in 70mm at the Savoy. Not
long after, the premiere date was settled, and we agreed that a visit on 11.
November would be perfect. I could go to Hamburg in style on 1st class
train, see "MOTOE" in the magic of 70mm, in a historic Todd-AO
environment, and later make a visitors report about the cinema for in70mm.com. All at the same time;
trains, cinema and 70mm. What is not to like? Next was the question of the
time of the show. To keep it as a day trip, I would only have a window of opportunity between 12:20 and
17:28, between my arrival and departure from the central station. In the
end, the schedule was announced and it turned out perfectly. I could see the
film at 13:00, and talk with Achim and take pictures after the film, well
ahead of my late afternoon departure.
Projectionist Achim Orlia
hasn't seen many of the classic 70mm film, and would like se films like "South
Pacific" and "Oklahoma!" in Todd-AO.
I met Achim in the Savoy Café, where he was busy serving the customers. A
queue of guests asking for tickets, popcorn and refreshments waited
patiently to be served in the nice bar, decorated with red neon lights and mirrors. The
cafe had everything from chocolate, tea, coffee, beers and whiskey.
Everything your heart desires to make the film enjoyment perfect. The
audience could also buy an assortment of gift certificates. The colors in the foyer area are a mix of yellow, dark brown and red. Some of
the floor is tiled with dark tiles, and other areas are carpeted in red.
Indirect light everywhere and candles on the cafe tables.
A big red SAVOY sign above the entrance doors signals "Here's a cinema" to
the pedestrians. Outside under the canopy
is a single display to the left about the Savoy history, and just inside the
doors are three lit poster cabinets - one on each, side which welcomes
you with information about current and coming attractions. Films are generally shown in the
original English versions and without German subtitles, with the odd exception every now and then. "MOTOE"
is shown in English and German versions.
Achim showed me the way to the projection room upstairs. One DP75
projector and a Kinoton ST270 non-rewind system was all ready to go. The
film on the platter, the lens in the machine, amplifiers ON - just
waiting for Achim. "Push the button Achim!". Achim (1957) was originally
trained as a theatre make-up artist, and worked two years in this
profession. He later realised that cinema
was his real, or reel call and he has been projecting films since
1981, when he moved to Hamburg. The last four years at the Savoy, and
before that, at the CinemaxX Dammtor - on the same
DP75, which is now at
the Savoy. The Kinoton Non-Rewind ST270 came from the
Grindel Cinerama, which closed in
2008. Achim admitted he hadn't seen a
lot of the classic 70mm films, and would like see films like "South
Pacific" and "Oklahoma!" in Todd-AO if the
opportunity ever comes by one day.
Savoy and its beautiful Vorhang, which is the curtain, in 2013.
The Savoy had kindly arranged my ticket and placed me in Row G, seat 13,
which tuned out to be right in front of the screen. Row G is even raised
two steps, so I had a nice unobstructed view of the ca. 16,5 x 7 meter
curve. A very nice 70mm sweet-spot. The Savoy has a modern 3D silver
screen installed, which largely follows the original CinemaScope screen
dimensions, however, much larger. In fact, it is nearly 5 meters wider
compared to the original CinemaScope screen size of 1957.
The original 1957 Todd-AO Perlux screen measured 17,4 x
7,6 meters (Invoice
of December 1957), with adjustable curvature depending on the format being
shown. Deep curve for Todd-AO, and a more shallow curve for CinemaScope.
Screens with adjustable curvature was a feature for the very best Todd-AO
cinemas sixty years ago. We went behind the screen to look for traces of this contraption. The
left and right parts of the screen frame are actually still standing on wheels,
but today, they don't move. The rear wall is covered with sound
insulation, and are hiding more traces of the adjustable curvature
The show began with the adverts and commercials, and then a few trailers
- one of which was "Close Encounters". All pre-feature
elements were run on the
digital projector. Very nice light and sound. Before the main feature,
none other than Alfred Hitchcock (Voice played by Anthony Hopkins I
guess) was nudging us not use our mobile phones during the show, through
some cinematic magic.
Savoy and its beautiful Vorhang and ceiling, in 2013.
15:30 How was "Orient Express"?
The curtains went in and out before the main feature, exactly as they should in any proper cinema. Lights
went down and a big "MOTOE" slide on the screen, proudly
announced it was shown exclusively "in 70mm". The FOX logo appeared
and the film began. Very pleasant soundtrack by Branagh's house composer
Patrick Doyle, and nice sound level throughout. Once again JBL speakers
delivers the best sound. The picture was bright and sharp across the curve.
The film was shown without German subtitles and presented in
2,39:1 format, similar to anamorphic Panavision. The 70mm frame was masked
down per the director's wish I suppose. Achim told me horizontal masking
could be enlarged (top and bottom) to show the full height of a 70mm frame. He used that
I often hear the complaint that "70mm is for out-door
and wide vistas only", and "it is not useable for intimate stories set inside".
I don't think so. Films like "Spartacus", "Ryan's Daughter", "Lawrence of Arabia", and
even "The Hateful
Eight" clearly shows how intense close-up are,
when filmed on 65mm, and the detail of people's faces are unbelievably sharp.
Every subtle motion of the actors are revealed in 70mm. "MOTOE" had
many close-ups too and great detail, especially noticeable
in the actors faces and clothes, but it did not appear as sharp as
"Dunkirk", or even
"Hamlet". The entire film was scanned, and the post-production
process with all the special effects was done digitally and then re-printed
back to 70mm. I had expected a picture quality a bit more like
"Samsara" (in 4K), but that was not the case.
The level of detail was
however, but I doubt anyone but 70mm enthusiasts will notice the difference.
General audience will hopefully just be dazzled by the story, enjoy the nice pictures,
the music and all the
extra effort by the cinema to present a premium product. A presentation you
certainly cannot get at home.
Savoy foyer and ticket sale.
15:30 Tea in the foyer
Following the film I had a cup of tea in the foyer with Achim. He told me
about the Savoy, and how happy he is to work there. As we were sitting and
talking, the foyer was buzzing with people for the next show. Tickets and
popcorn over the counter and a beer, a cafe latte, and some sweets. People
in queue, and patiently waiting to give their order. Staff by the door
checking the tickets, and the show is about to begin. The owner Mr Flebbe has
re-introduced cinema as it should be. Where you can enjoy films
precisely as the film makers want you to. On a big screen with good sound.
The Savoy makes an effort to present the films in the best technical way
possible. The audience seems to appreciate this idea. The number of
annual visitors at the Savoy is between 120.000 and 140.000 guests and
The Savoy has several specialized film programs, one of which is the Savoy Film
Club, which shows classics once a month on the big screen in English. "The
English Theatre" live from London is very popular, as are the "SAVOY
Sneak-Preview. The Friday-Late-Night-Sneak-Show at the Savoy Filmtheater!".
A feature-length surprise sneak preview screened before its German
theatrical release. The Savoy also have Senior Cinema called "TRAUMKINO im
SAVOY" (Cinema of Dreams), presented in German. The Savoy
is a very beautiful cinema with a history going back exactly 60 years. It's
and a big Todd-AO screen makes it ideal for 70mm presentations.
advertising in display windows.
runs similar luxus styled cinemas in many German cities:
• Residenz Astor Film Lounge - Köln
• Astor Film Lounge - Berlin
• Zoo Palast - Berlin
• Astor Grand Cinema - Hannover
Mr Flebbe is currently working on expanding his range of luxus cinemas in Hamburg,
and will open three new screens in the city's popular Hafencity
district sometime during 2018.
My visit at the Savoy had come to and end. I left the Savoy around 16:30 to do a little shopping before my
departure. Achim followed me to the door, and off I went.
The Savoy is a rare cinema jewel. Built for the Todd-AO big-screen
experience 60 years ago and amazingly is still
around today to show 70mm. Surely it is one of the very few original
Todd-AO cinemas remaining in the world. It is easy to imagine all the
classic 70mm films being shown on this screen. If only walls could speak.
Probably they would echo something like "I'm Spartacus", "These are a few of my
"Go back to your oar, Forty-One!", "He was the most shameless
exhibitionist since Barnum & Bailey", "Broadsword Calling Danny
Boy" and many, many more.
memorabilia found under the stage and now sitting on the projection room
17:28 On the train returning home
I have not seen many films in other German cinemas and cannot compare the Savoy to
other cinemas with much authority. The only exception is the
Schauburg Cinerama in Karlsruhe,
where I have enjoyed many 70mm films since 2005 under the best 70mm
presentation conditions imaginable.
It was nostalgic to see 70mm at the Savoy too. The
fact that the Savoy was the first European purpose-built Todd-AO theatre
made this trip even more memorable. If you live anywhere near Hamburg, I
highly recommend seeing 70mm at the Savoy. Mr Flebbe's Lounge
Cinemas concept with cinema as it should be, is lovely, and is really
something you should try.
22:19 Back in Copenhagen
A 16-hour round trip, two times 5 hour travel time, 350 km by train each way and
Travel on the train between two nations, across sea, land and bridges to see
"MOTOE" @ the Savoy was well worth the time spent. For me, it was fun, and
a nice balance between nostalgia, and modern cinema and film. An amazing
Thanks goes to my friendly Savoy host for the day Projectionist Achim Orlia,
and Gary Rohweder (Theaterleitung Savoy Filmtheater), for making the visit
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