“Almost like a real web site”

Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch


Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

Ultra Panavision 70
Super Panavision 70

Super Technirama 70
MCS 70 | DEFA 70
Dimension 150
Sovscope 70
ARRI 765 | Blow-up
35mm to 70mm
Blow-Up by title
IMAX | Cinema 180
Showscan | iWERKS
Various 70mm Films
Large Format Engagement
Chronological Order

Cinerama | Film
Archive | Remaster
Cinemiracle | Rama
Cinerama 360
Circle Vision 360
Realife | Grandeur
Natural Vision
Vitascope | Magnifilm
Early Large Format Films


France | Germany
Denmark | England
Australia | USA

6-Track Dolby Stereo
7OMM Projectors
People | Eulogy
65mm/70mm Workshop

• 2025 | 2024 | 2023
2022 | 2021 | 2020
2019 | 2018 | 2017
2016 | 2015 | 2014
2013 | 2012 | 2011
2010 | 2009 | 2008
2007 | 2006 | 2005
2004 | 2003 | 2002

2005 | 2004 | 2002
2001 | 2000 | 1999
1998 | 1997 | 1996
1995 | 1994 | PDF

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Table of Content

Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas


Super Dimension 70
New 70mm Process Demonstrated

This article first appeared in
..in 70mm
The 70mm Newsletter

Written by: Robert Weisgerber, Super Dimension 70 Issue 63 - March 2001

Robert Weisgerber next to the 70mm projector

A new company, known as "Super Dimension 70", has recently been creating some attention for itself in the Hollywood community, with a "new, improved" 70mm presentation process. In a nutshell, what they are proposing (and demonstrating) is 70mm film, with the usual aspect ratio, run at 48 frames per second.

The system uses a custom designed projector, the key feature of which is a pair of two intermittent movements, one at the top and one at the bottom of the projection gate. They are precisely aligned and synchronized, and help each other move the film through the gate at the necessary increased speed.

They have made a demonstration film, similar in execution to the "Cinespace 70" demonstration film, introduced and narrated by American television newsman Walter Cronkite (the way Lowell Thomas introduced Cinerama many years ago.)  It features samples of scenic shots, including aerial (helicopter) views over typically impressive western vistas. The system is presently installed at the "Harmony Gold" theatre (a pre-view and screening theatre) in Los Angeles, where it is being demonstrated occasionally to interested parties. They hope to persuade someone into producing a new feature in the process.

This is the IMPACT, SDS-70 projector and platter that holds 32,000 feet of 70mm for 2hr and 20min. of running time at 48fps. The Digitally controlled transport insures pinregistered picture stability while exhibiting each frame twice for 96 refresh displays totally eliminating flicker.

A Digital 8 track uncompressed sound repoducer follows in sync with the film via time code view and screening theatre) in Los Angeles, where it is being demonstrated occasionally to interested parties. They hope to persuade someone into producing a new feature in the process.

(This process is somewhat similar to the 35mm/48fps "Maxivision" proposal, but of course this is using 70mm film...)

Further in 70mm reading:

SDS 70 DMX Process

DMX digital presentation

Super Dimensional Xperience

Internet link:

Super Dimension 70

Super Vista Corporation
245 East 93rd Street, Suite 32 A
New York
NY 10128

+1 212 369 5035
+1 212 348 4136 (fax)

Los Angeles +1 818 789 1065


The Press Release from SDS-70 accompanys

"Redefining the Movie Going Experience"

Super Vista Corporation licenses and supplies its proprietary technology Super Dimension-70 (SDS-70) system, which presents to the film entertainment industry a revolutionary new leading edge motion picture process.

The company owns patent rights to its breakthrough motion picture system for the production and exhibition of feature length films. The SDS-70 process was conceived and developed by Robert C Weisgerber, President of Super Vista Corporation. The patents are for a method that imparts both high-impact cinematic and conventional images on the same strip of film. The result immerses the audience as if they are part of the movie drawing them into the depths of the screen. This technology allows filmmakers the opportunity to take their creative vision to a new plateau.

The recent success of both "Everest" ($100 million gross) and Disney's "Fantasia/2000" in IMAX ($60 million in 120 days), proves that large format films can draw huge audiences willing to pay extra to see and experience an event movie.

Super Dimension-70 now for the first time makes available to filmmakers the ability to enter this lucrative market with full-length, large format event motion pictures.

Super Vista Corporation is a full service organization providing the film industry the tools to create, produce, post-produce and exhibit SDS-70 feature length motion pictures. The company licenses the SDS-70 process from photographic to projection equipment and also provides full service design, installation and maintenance of the SDS-70 Impact theater technology. Super Vista Corporation has agreements with major cinema suppliers for key components of the SDS-70 system.


SDS-70 Preview Theatre Specifications

Picture: Projector: Impact, SDS-70 System. Screen: 23'x47' Ultramatte screen. Lens: 92mm. Lamp: 7000 Watt

Screen brightness: 35 Foot-Lamberts

Sound: Reproducer: Double System Digital Hard drive. Sound Synchronization: Time Code Referenced

Channels: 8 channel uncompressed digital.

Illustration below (from a Showscan brochure) shows how an SDS theatre looks like. Theatres are more or less the same.

Projector built by STRONG. Lens by Isco. Demo SDS film narrated by Walter Cronkite.

SDS-70 System


* Super Dimension-70 (SDS-70) is a patented and trademarked process employing advanced film based 70mm technology.

* SDS-70 projects film at 48 frames per second. This frame rate closely replicates the way we see real life. When projected, each frame is presented twice, resulting in an exhibition display of 96 images per second. For films shown in this manner there is no projection flicker at any illumination level.

* The intensified sense of reality produced by SDS-70 allows the audience to believe that the screen has disappeared and the viewer is drawn into the picture.

* SDS-70 image quality surpasses that of all prior theatrical film systems.

* SDS-70 presentations deliver high impact, immersively stunning images that are unrivalled in commercial cinema exhibition.

* A feature film director employing SDS-70 can tell a cinematic story without compromise.

* When CGI is employed the effects are enhanced and become part of the immersive experience.

* Aside from requiring additional 65/70mm film stock because more frames are exposed, production costs are basically on par with conventional filmmaking.

* Conventional 35mm, 24 frame prints can be extracted from the SDS-70 laboratory master making very wide distribution possible. Films produced in SDS-70 yield high-resolution pictures when converted to standard film formats.

* No costly theater construction is required to facilitate SDS-70.

* The SDS-70 projection system can fit into any normal size projection booth.

* Standard 35mm and 70mm 24 frame motion pictures can be re-purposed for SDS-70 projection allowing for superior image and higher illumination levels.

* Previously released feature films can be converted to the SDS-70 exhibition system renewing their theatrical exhibition life.

* SDS-70 displays more than double the image information presented with conventional films and almost six times the image area of the standard 35mm wide screen frame.

* The patented SDS-70 Impact Projector incorporates a "rock steady" movement. There is no perceivable jump or weave on the screen. In addition, no parts of the projection system come in contact with the image area of the film, substantially reducing dirt and scratch artifacts.

* SDS-70 screen quality is significantly superior to digital cinema. SDS-70 prints have in excess of 22 million pixels per frame compared to only 1.3 million pixels in current DLP cinema.

* Projection lamps of up to 10kW can be used. Screen illumination of more than 20 Foot-Lamberts can be achieved without projection flicker.

* The projection technology is best suited for screen sizes between 50ft. and 80ft. Curved or flat screens can be used with a moderate radius being the preference. However, it is recommended that the screens be as large as the theatre can accommodate.

* Estar prints can run for more than 2000 passes without any discernable wear

* The SDS-70 platter system provides for more than 2 hrs. and 20 min. of uninterrupted screening. The platter can accommodate two complete SDS-70 feature films.

* Eight channel uncompressed digital sound is incorporated into the SDS-70 presentation through the use of a double system hard drive reproducer.

* Standard definition or digital high definition video transfers can be made from SDS-70 film masters.

Go: back - top - back issues
Updated 07-01-23