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In70mm.com • "To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen". • in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.
LATEST 7OMM NEWS AND FEATURES
“Logan’s Run”: The 70mm Engagements By Mike Coate The following is a list of the North American 70-millimeter engagements of “Logan’s Run”. These were full-frame (2.20:1) prints blown-up from anamorphic 35mm photography. The audio was discrete six-track. A few of the prints were encoded with Dolby Noise Reduction, the first known usage of Dolby in connection with the 70mm format. The Saul David production/MGM release was directed by Michael Anderson and starred Michael York and Jenny Agutter.
“Gremlins”: The 70mm Engagements By Mike Coate The following is a list of the 70mm first-run engagements of “Gremlins” in North America. These were pillarboxed blow-ups (approximately 1.85:1) sourced from spherical 35mm photography. The audio was Six-Track Dolby Stereo (“A” encoded, single-surround). The Amblin production/Warner Bros. release, directed by Joe Dante and starring Zack Galligan and Phoebe Cates, opened on June 8th, 1984.
1930's Large Format Equipment at the USC Archive By Dan Sherlock The University of Southern California has one of the most respected schools of cinema-television in the world. Many famous directors, cinematographers, editors, and others involved in the production of motion pictures and television programs learned their craft at this school. Located below one of the buildings is the USC Moving Picture archive. The archive includes over 18,000 student films, 35mm films, cameras and projectors.
A Century of Widescreens at the World's Fairs By Alain Dorange The British Edward Muybridge is shooting the gallop of a horse in June 1878. The various images are put on a record, allowing the rotation in front of a magic lantern and projected onto a screen. This process is called Zoopraxiscope and considered as the very first projector in the world. This projection is shown at this World's Fair in a "theatre" called: Zoopraxographical Hall. This hall is the first movie theatre.
7Omm Weekend in Varnsdorf – more than a fistful of classic film jewels! By Gerhard Schwach Dispite all this optical splendour „The Big Fisherman“ is a slow going drama that demands endurance from the audience. The movie doesn't offer all too much physical action, compared with other biblical movies such as „Ben-Hur“ or „Quo Vadis“. I wonder what would have been the result if Cecil B. de Mille or William Wyler had made this movie? Nevertheless, box office in 1960 was great, but - without any understandable reasons - the film completely disappeared from official screenings and was only shown once in German TV many years ago.
Varnsdorf reloaded By Ulrich Rostek Many of the prints presented this year came from the collection of "Kinomuseum Berlin e.V.". The founder of this association, Jean-Pierre Gutzeit, was present at the festival, always ready to discuss and report about technical details, giving a lot of behind-the-scenes information. At this point I want to thank Pavel Nejtek and his team for their hospitality, their open-mindedness, and their patience when another crowd of enthusiastic delegates burst into the tight space of the projection booth.
DP70, Victoria 8 and Prevost P70 in Argentina By Eduardo Cesar Gómez Actualmente hay dos cabinas de proyeccion instalada con 3 victoria8, una y la otra 2 PREVOST 35/70 las salas ya no funcionan como cines comercial. le voy a adjuntar unas fotos de lasmismas. En nuestro pais hubo dos salas con instalacion de CINERAMA, una ya desaparecida y la otra funciona con tres salas digitales actualmente y se hubica en la Pca de Cordoba. Muchos saludos y lo felicito por su hermosa pagina.
DP70 information from Spain. #850 #1708 #1717 By Gerardo Cortes New DP70s have been found here in Barcelona, Spain. Including one of the DPs installed in Cine Kursaal (Barcelona). After many years projectors were move to Cine Femina (Barcelona) and both worked until 1991 once the cinema burned. #850 was restored and has been installed in a private cinema room in La Vall de Bianya - Barcelona.
What is the correct colour of a DP70? By Clive Woodward We are puzzled by trying to work out the correct colour to repaint them. Ours are a brownish 'hammertone' / 'hammertex' colour. I note from photos on your website many appear to be grey. Even the brown on our units varies from part to part. Do you know of the 'official' original colour for DP70 projectors?
Kodak is making investments in introducing 65mm film processing in Europe By Kodak Kodak will open and operate a motion picture film-processing lab in New York City later this year, which will service 35mm, S16, Super 8 film processing and scanning. Kodak is also working with partners to sustain film processing capabilities around the world. In London, Kodak is making investments in introducing 65mm film processing in a region that has seen a huge increase in major productions shot on film.
Une Visite Chez Monsieur Cinerama By Martial DASSONVILLE François CARRIN est plus connu à l’ALICC sous le pseudo de Mr. CINERAMA. En effet, notre conseiller à la rédaction d’ Infos-Ciné est passionné par les techniques d’écran large. Il a consacré toute sa vie professionnelle aux activités de métreuréconomiste de la construction. En marge de sa profession, il a été projectionniste dans un cinéma de la banlieue de Valenciennes de 1963 à 1973, à Quiévrechain, petite ville de 7000 habitants à la frontière belge.
En Conversation Avec François Carrin By Martial DASSONVILLE François CARRIN. S’intéresser à l’écran large, au triple écran, avoir été projectionniste et avoir fréquenté ces installations un peu hors normes, ce n’est pas courant à l’ALICC. François nous explique donc son CINEMA PARADISIO personnel.
Scent of Mystery at the TCM Classic Film Festival 2016 By Dave Strohmaier and Tom March The 2016 TCM Classic Film festival is a really big Hollywood event held over four days between April 28 and May 1 in the heart of Hollywood. The Cinerama contribution was the Mike Todd, Jr.'s "Smell-O-Vision" Cinerama Dome screening of “Scent of Mystery”. It screened on May 1 at 10:00AM to a full house. It was hosted by LEONARD MALTIN - Film Critic and Historian with a special guest appearance by BEVERLY BENTLEY who played the decoy Sally Kennedy in the film.
Orla Nielsen shows "The Hateful Eight" in Aalborg By Thomas Hauerslev You can't keep a man down who want to show 7OMM! That statement seems to be true with Orla Nielsen from Aalborg in Denmark. Orla Nielsen opens a temporary cinema to show "The Hateful Eight". The local multiplex declined Orla's offer to set up 7OMM screenings earlier this year. Instead, Theatre Nordkraft's manager Jakob Jørgensen came to the rescue and offered his theatre to Orla for a limited season.
It's All in the Writing. Jan Harlan in Denmark By Thomas Hauerslev While I was in New York working for a data processing company I got to know Stanley very well – he was already married to my sister since 1957. This was in 1963/64. After that I continued with my work in Germany and Switzerland. Stanley worked with Arthur C. Clarke in New York while I was there to prepare "2OO1" but the family later moved to England to film “2OO1” at the MGM studios in Borehamwood. I lived in Zurich then doing my job but visited Stanley and the family from time to time in England.
THE 70MM RUMOUR MILL
Warner Brothers are releasing "Suicide Squad" in 70mm just like they did for "Batman Vs. Superman"
• The Ultimate Grimm Report By Gerhard Witte • Sales Manual For Louis De Rochemont's Windjammer By The Cinemiracle Process • Visit to La Geode, Paris By Thomas Hauerslev • Visit to Futuroscope, Poitiers By Thomas Hauerslev • Visit to Kinepolis, Bruxelles By Thomas Hauerslev • Georges Loisel's list of 7OMM in Paris By Olivier Rousseau • Vintage articles about Todd-AO, Showscan, Panavision & Dolby • Brian O'Brien, Jr.'s Todd-AO Scrapbook Coming soon • Rare black/white images from American Optical Company Coming soon • "Oklahoma!" on opening night at the Rivoli Coming soon
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I continue to be impressed by the dedication you have to the continuing wellbeing of 70mm. I would like you to have met my colleague and friend, the late Robert Gottschalk, founder and driving force of Panavision. He was of the unshakeable opinion that picture quality, real picture QUALITY, depended on a big piece of negative, the bigger the better.
All good wishes, Sir Sydney Samuelson, December 2009
"Encourage film makers to produce and make new films in 65mm, present them in 70mm with 6-track discrete digital sound on big curved screens".
"The 70mm Association Newsletter" was the "voice" of The International 70mm Association.
For 7 years, when the magazine was produced regularly, it was edited and published in Copenhagen. The magazine was never a commercial venture - nor was it intended to be. It had a lot of fans and the number of subscribers climaxed in 2000. The last issue was published in the fall of 2001. Special edition issues 68, 69 & 70 have been made for the Widescreen Weekend.
Todd-AO Birth date By Brian O'Brien On October 15th, 1952 I received a phone call from a Michael Todd in New York City, who wished to come to see me at Rochester that evening. I had never heard of Todd, but it seems that he is a well-known Broadway producer.
The 70mm Trailer Anomaly By Brian Walters Some of the excellent sounding 70mm trailer examples were for “The Fly“, “Commando“ and “Full Metal Jacket“, all wonderfully dynamic sounding trailers that far exceeded the sound of the feature presentations which were to be in 35mm stereo optical sound only. The picture quality of these trailers, even though only blow ups from 35mm, was also usually superior because of the improved brightness, picture stability and improved definition from longer focal length lenses employed with 70mm projection.