|The Short history of the Amphitheatre in Banska Bystrica|
By Michal Jaso
New official screenings and music festival shows began in 2014 with very good responses. Eventually we were able to reconstruct the original projectors into fully operational state. We even added a DTS system for 70mm to be able to show DTS titles. The two interesting things about this amphitheatre is that according to our information, it's now the only 70mm open air cinema in operation in Europe
|The first German 70mm movie FLYING CLIPPER (1962) will hit the market as 4K UHD, Blu-Ray and DVD July 28, 2017|
Scanned in 4K from an original new 70mm print and digitally high-quality restored, "FLYING CLIPPER" now unfolds in the home cinema with the same brilliance as at the time on the cinema screen. In addition to the classic original sound, a completely new sound design has been created in Dolby Atmos, which lets you experience the thunderous racing atmosphere of Monaco in the middle of the room.
• Go to "FLYING CLIPPER" In 4K von der original 70mm Kinokopie restauriert
• Go tvo Where to see "Dunkirk" in 5/70 & 15/70 (IMAX)
|Large Format Cinema as Communal Virtual Reality|
By Mark Trompeteler
A meeting and subsequent interview with Douglas Trumbull and Mark, continued a series of articles on The Future of Cinema, by Mark Trompeteler, that were featured in a number issues of Cinema Technology magazine. In this two part interview they discuss issues surrounding the pursuit of “The Holy Grail” of large format cinema technology – cinematic virtual reality.
|FLYING CLIPPER will hit the market as 4K UHD, Blu-Ray and DVD July 28, 2017|
Abgetastet in 4K von der original 70mm Kino-Kopie und digital hochwertig restauriert, entfaltet "FLYING CLIPPER" nun im Heimkino die gleiche Brillanz wie seinerzeit auf der Kinoleinwand. Neben dem klassischen Originalton wurde ein komplett neues Sound-Design in Dolby Atmos erstellt, mit dem sich unter anderem die donnernde Renn-Atmosphäre von Monaco mitten im Raum erleben lässt.
|Music Box Theatre 70mm Festival|
The Music Box Theatre is proud to bring you a two week festival of films presented in glorious 70mm on the big screen. To honour our commitment to film projection, the Music Box is very pleased to have commissioned a brand new 70mm DTS print of "2OO1: A Space Odyssey" from Warner Brothers, produced at Fotokem, the last full service 65/70mm lab in the United States.
|Cinema Retro's Issue 38 now Shipping|
By Thomas Hauerslev
Issue 38 just arrived in Copenhagen with a wealth of information about films from the '60s and '70s. Cover story this time is 17 page special about "The Dirty Dozen" from 1967 written by Brian Hannan. The classic WW2 film was blown up to 70mm, and presented as a road show feature - the tag line was: "Presented in Spectacular GIANT SCOPE of 7OMM"
|Widescreen In Malaya|
By Alain Dorange
Malaya was a British Federal State composed of what are today Malaysia and Singapore. Malaysia became independent on August 31st 1957 and its island (Pulau Singapura) became an independent Republic on August 9th 1965. Malaya (and also Japan as well as Hong Kong) did experience the development of the widescreen processes from Europe and the US more or less at the same time.
• Go to Widescreen In Malaya - Newspaper Advertising
|• • Go to Schauburg's Technicolor Film Festival|
• Go to Gallery: Technicolor Festival @ the Schauburg
|We Would “Proudly” Wait Three Days in Line|
By Omid Kayvan
We would “proudly” wait three days in line to see the March 1971 Columbia Pictures re-release of "Lawrence of Arabia" in 70MM, which was only shown in one Cinema (same venue as 1963 presentation), the Central Cinema. Our family took turns standing in line during those three days! There must have been over Thousand people at any given time, either trying to push or shove others out of line, or sneak into the line as Black Marketers
• Go to Mike Todd's "Around the World in 80 Days"
|Presentation and cast/credit of Michael Todd's "Around the World in 80 Days"|
Edited by Thomas Hauerslev
"Around the World in 80 Days" was filmed simultaneously in two different film speeds: Todd-AO standard of 30 frames pr. second, and Todd-AO sub-standard 24 frames pr. second, for the 35mm reduction prints. Both negatives are 65mm wide.
• Go to "Around the World in 80 Days" Advertising"
|Showcase Presentations in Chicago|
By Michael Coate, Tim O’Neill and Tamir Sharif
The duration of the engagements, measured in weeks, has been included for each entry in parenthesis following the cinema name. Note that some of the presentations included in this listing may have been presented in 35mm during the latter weeks of engagement due to print damage and the distributor’s unwillingness to supply a 70mm replacement print or because the booking was moved to a smaller, 35mm-only auditorium within a multiplex.
• Showcase Presentations in Cincinnati
• Showcase Presentations in Louisville
|DP70s back at work at the Paramount Theatre in Peekskill, NY|
By Helge Bernhardt
I've been working over the last months with the current operators of the Paramount Theatre in Peekskill (NY, US), on getting the projection booth up and running again! The theater hasn't run film in over 15 years and are ready to give it another try.
|Keith Swadkins Passed Away|
By Bill Lawrence
It is with sadness that we received the news that Keith Swadkins had passed away. Keith had long been a great champion of Cinerama, passionate fan of the format and films, and a friend to fellow enthusiasts around the world. Many will have met and developed a friendship with him at the Widescreen Weekend in Bradford each year, as Keith and his wife Brenda turned up to renew old acquaintances and impress newcomers with his knowledge.
|Cinérama Itinérant (Itinerama) Cinerama's Mobile Tent Theatres|
By Gerhard Witte
A top priority of Nicolas Reisini, CEO of Cinerama, Inc. from '60 to '63, was to bring 3-strip projection to the widest possible audience, above all to the population in the countryside. Consequently, he created in a showmanly way a portable Cinerama, the so-called "Itinerama" which premiered in France in Mantes-la-Jolie on Monday, 4 September 1961 – "Why go to Paris or London to experience Cinerama, when Cinerama can come to you?!"
|Remastered: Mission Report from Widescreen Weekend 1996|
By Thomas Hauerslev
Seeing old prints, faded clips, looking for join lines, the smell of magnetic sound, hearing tape hiss, seeing "Intermission" signs, is all part of the show in Bradford. The week-end in Pictureville came to an end. I owe much thanks to the staff there, especially Mr Bill Lawrence, Mr Tony Cutts, Mr Duncan McGregor and Mr. Dick Vaughan for making it unforgettable, highly interesting and for making me feel so welcome.
• Go to Gallery: Bradford, Widescreeen Weekend 1996
• Go to: Widescreen Weekend 1996
|Remastered: Widescreen Weekend 1996|
By Thomas Hauerslev
Bill Lawrence introduced the show and told the story of how the staff had worked hard to make this work. There was a big applaud for Tony and Duncan from the audience, and Bill Lawrence continued: "Without the International Cinerama Rumour Factory this show would never had taken place". The Widescreen Weekend is a celebration of all that is extraordinary in large format film and the audiences clearly prefer the curve to the flat screen.
• Go to Gallery: Bradford, Widescreeen Weekend 1996
• Go to Mission Report: Pictureville Cinema, Wide Screen Weekend 1996
|Stereo-70 Three-Dimensional Cinematography in Russia|
By Alexander Melkumov
Our company as scientific & creative program "STEREOKINO" was created by a group of people for the purpose of improving and developing the 3D movie in Russia. One of the founders of our company is the director of stereokino labоrаtоry in NIKFI (Russian Scientific Research Cinema and Photo Institute) - Sergey Rozhkov.
• Go to films in Stereo-70 Three-Dimensional Cinematography in Russia
|Notes from the 12th 7OMM Seminar in Krnov, Czech Republic|
By Thomas Hauerslev
I like the fact it is actually real film - scratches, dust and all - shown on film projectors by people for people. I appreciate that someone is doing the work upstairs that requires skills, expertise, and an understanding of showmanship. An experience with Reel People projecting a film for you. It's the real thing! It does not get more authentic than this.
• Go to gallery 12th 7OMM Seminar Gallery
| || |
|"Dunkirk" in the splendour of 7OMM|
Where to see the film in 5/70 & 15/70 (IMAX)
Want to see "Dunkirk" on real film, in the splendour of 7OMM? This is a Worldwide in-progress 7OMM Presentation Premiere list which has been has been edited based on internet foras, reports by in70mm.com's readers and theater web sites. Please note, this list is based on facts, and readers calling their local cinemas, asking for the authentic 7OMM Experience, as the director want you to see his film.
|Cinema Digital Sound - System Overview|
By Ronald E. Uhlig & Howard J. Flemming
I hope this introduction to Cinema Digital Sound has helped you understand some of the excitement we have regarding the future of motion picture sound. Analog sound tracks for motion pictures have been around for about 50 years now. We fully expect that 1991 will mark the turning point and that Cinema Digital Sound will become the standard sound system for the next 50 years. The reaction of those who have heard it, from industry experts to the average theater goer, certainly points in that direction.
|VistaVision Strikes Back|
By David Harvilla & Jack Winemiller
The Negative, is about a large format still photographer and his journey in the wilderness of the American West. The film is a love letter to the John Ford western The Searchers, which was filmed in Monument Valley, a red-sand desert region on the Arizona-Utah border, which the production team of The Negative also chose as their shooting location. The scale of the landscape and theme of The Negative called for an epic shooting format. After exploring different options and formats, the filmmakers decided to originate the film on VistaVision.
|"2OO1" in 7OMM sells out at the ARCADIA|
By Francesco Gualeni
The 630 patrons have experienced "2OO1" in a total silence, no mobile screen was turned on, aware that they were seeing not only a masterpiece on the huge ENERGY screen, but a way to shoot & project the movie that is now vanishing. It was good to see a lot of young people, seeing the movie for the very first time.
|70mm Film Weekend in Centrum Panorama Varnsdorf, Czech Republic|
By Zdenek Stepanek
On behalf of 70 mm Cinema Panorama in Varnsdorf, Czech Republic, on the border with Germany, we would like to invite you to a 70mm Weekend which will be held from 11th until 14th May, 2017 within the 14th Film Festival Nisa. Viewers will have a unique experience to watch large format films projected onto a panoramic screen about the size of 120 m2. We've got a long weekend full of special movies that are rarely shown at similar events or not at all, but also the very best of world cinema.
|12th Oslo 70mm Festival 2017|
By Jan E Olsen
The Norwegian film institute proudly presents the 12th Oslo 70mm festival 25. August - 3. September 2017. The program is a mix of vintage original prints, blow-ups and restored classics. This festival, dedicated to a movie format that was introduced more than 50 years ago, is a dream for many movie fans around the world.
• Go to 12th Oslo 70mm Festival 2017
|Showcase Presentations in Philadelphia|
By Mike Coate
The “roadshows” have been listed with an asterisk following the applicable titles. These were reserved-seat engagements with advanced pricing and limited, scheduled showtimes (typically ten-per-week or two-a-day). Souvenir programs were usually sold and often the presentations included an overture, intermission, entr’acte, and exit music.
|Z historie 70mm kina Eden v Plzni|
By Ludek Brejcha
A tak v roce 1967 proběhla premiéra 70mm filmu Old Shatterhand ve zcela zrekonstruovaném kinu, jehož celý název zněl „Panoramatické kino Eden”. Kino si získalo velkou popularitu díky skvělému obrazu a zvuku. Návětěvníci se sjižděli z celého kraje /byly pořádány zájezdy/. Na mnoha místech v Plzni byly instalovány plechové tabule - směrníky, udávající směr ke kinu Eden.
|70mm Cinema Eden, Pilsen, Czech Republic|
By Ludek Brejcha
I'm former professional projectionist from Pilsen, Czech Republic and now I'm a fan of all aspects of film and projection techniques. In Pilsen, there was a cinema called EDEN for 70 and 35mm projection, and "my" cinema, the HVEZDA (The Star). Both cinemas EDEN and HVEZDA are closed. Projectors ended up God knows where.
|Which films were probably never shown in Super Technirama 70?|
By Thomas Hauerslev
Far from all Technirama films were given the 70mm treatment, and simply released in 4-perf Technirama. For many years in the 70mm enthusiast community, some Technirama titles have given rise to speculation. "Were 70mm versions released, or not?". in70mm.com lists 9 films, which may have been shown in 70mm somewhere in major markets. Comments and information about "Which films were probably never shown in Super Technirama 70?" is most welcome, and will be included in the page.
|Visiting the Prince Charles Cinema in London's West End|
By Thomas Hauerslev
The Prince Charles Cinema have many posters on display on their facade, many of which are of their own design. The tag "Presented in 7OMM 6 Track Dolby Stereo" is prominently placed with BIG letters on the posters. It is very nice to see this kind of showmanship still being used to promote 70mm in London. Take a look at their web site too - search for "70mm", and you can see the same logos and advertising. If you are in London, do check out their web site and go back to memory lane for some 70mm magic.
• Go to the gallery Prince Charles Cinema, London's West End, UK
• Go to gallery 3 Falke Bio, Denmark
• Go to The First Todd-AO Theatre in Scandinavia
|Ken Draper interviewed|
By Mikael Barnard
I started work at the Casino on 19 September 1954, eleven days before opening night on 30 September. We had to pick it up quickly but we did many rehearsals and were well prepared. I started with the début screening of This is Cinerama, and then in 1956 we ran Cinerama Holiday. I left in 1957 for a job at MGM British Studios at Borehamwood where I worked in the preview theatre
• Go to DP70 / The Todd-AO Projector News
|No esplendor do 7OMM|
By Paulo Roberto P. Elias
Quando Oliver! foi exibido no Vitória, o cinema ficou abarrotado. A expectativa em torno do filme e da estória atraiu o grande público. Tivesse Carol Reed se proposto a mais uma versăo em filme do romance clássico “Oliver Twist”, escrito por Charles Dickens, o impacto talvez năo tivesse sido o mesmo. Mas, se tratava de uma megaproduçăo, com sets em larga escala no estúdio, poucas cenas rodadas em locaçăo, controle total de uma produçăo baseada em uma versăo musical da estória.
|Abandoned Prevost 70/35 projectors at Ariston Cinema in Meran|
By Dietmar Zingl
Not much is know about the abandoned Prevost 70/35 projectors at the Ariston cinema in Meran, Italy / South Tirol. As far as we know, the Prevost-projectors have been removed and saved and stored in a kind of technical museum in Bozen/Bolzano. Did the Ariston ever show films in 70mm? Maybe some in70mm.com readers can share some stories about it?
|Why 70mm Matters|
By Brian Walters
The 70mm format has experienced a phoenix like re - birth due to the efforts of film makers like Christopher Nolan, Paul Thomas Anderson and Quentin Tarantino, who have against the odds, released films using the large negative 70mm release print format, after being instrumental in brokering a deal with the six major Hollywood studios to guarantee the availability of Eastman Kodak film negative for a further five years.
|Cinema like never before in Munich, Germany|
By Anders M. Olsson
I heard that the Film Museum in Munich was going to show a couple of the digitally restored Cinerama titles, as well as David Strohmaier’s documentary “Cinerama Adventure”. David Strohmaier couldn’t be there to introduce the films and he suggested me as his replacement. Much to my surprise, the museum agreed to cover the cost of my flight and hotel room, so off I went to Munich on January 6 2017.
• Go to Welcome to “Cinerama Adventure”
• Go to Welcome to “This is Cinerama”
| || |
|"IN 70MM.COM" NEWS|
|2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005, 2004, 2003, 1998-2002|
|"THE 70MM NEWSLETTER" NEWS|
|2005, 2004, 2002, 2001, 2000, 1999, 1998, 1997, 1996, 1995, 1994|
|5 YEARS AGO - 2012|
|• Some Notes on Shooting "Lawrence of Arabia"|
• Dolby Stereo Surround On 70mm
• Windsor “Todd-AO theater in Săo Paulo, Brazil
|10 YEARS AGO - 2007|
• Grant's Blow-up Blog
• Remembering Miklos Rozsa
• The true history of Circlorama 1962-65
|15 YEARS AGO - 2002|
|• Filming of "Lewis and Clarke" in IMAX|
• How The West Was Won - in Cinerama
• 26 Things Movies Taught You
|20 YEARS AGO - 1997|
|• The Basics of The Rolling Loop IMAX Projector|
• Dimension 150 Driving Simulator
• Movies Are Never What They Seem
|The 7OMM Engagements|
By Mike Coate
The following are lists of the 70mm first-run engagements of a hand full of film titles in North America:
• “Yes, Georgio”
• “The Entity”
• “The Great Race”
• “The Dirty Dozen”
• “The Manitou”
• Showcase Presentations in Chicago
• Showcase Presentations in the Silicon Valley
• Showcase Presentations in Philadelphia
• Go to 70mm Engagements
• Go to in70mm.com's list of films blown up to 7OMM
• Go to in70mm.com auf Deutsch
• Go to in70mm.com news 2017
|KRRR! 12th 70mm Film Fest Krnov 2017|
The next 70mm Film Fest regularly taking place in Krnov is knocking on the door again. After a year the majestic cinema Mir 70 will become a place where true film fans of celluloid from many European counties - especially enthusiasts loving widescreen format - will meet. Three days of a rare occasion to see great 70mm movies screened on a 105 square meters of slightly curved screen and good opportunity to remember history of “old school” cinema technology in today's sterile digital era.
|The Restoration of DP70 #1820|
By Emiel de Jong
DP70 no. 1820 is back almost where it was born: it's now on permanent display in the lobby of "Centrum Hofdael", arthouse cinema / general art-centre in Geldrop, close to Eindhoven, The Netherlands.
|The Making of ‘Ellston Bay’|
By Nicholas Eriksson
Principal photography on the ambitious large-format short film ‘Ellston Bay’ concluded recently, marking the first time in a very long period that the 35mm VistaVision format has been utilised exclusively for a dramatic production. Below, Director and Cinematographer of the project Nicholas Eriksson talks further about the challenges of originating on VistaVision, and the benefits of using such a large negative area.
• Go to Gallery: Photography at the Pinewood Studios' Underwater Stage
|"Comanche Stallion" filmed in Superama 65mm by Fatali Eye Productions|
I am so thrilled to be chosen by Clyde Lucas to become a partner filming Comanche Stallion. This script was the legendary John Ford’s pet film project, which never reached the screen. Comanche Stallion, based on the novel by Tom Milstead, it’s the story of the Comanche’s search for a mystical horse, while suffering the wrath of General Lathrop. Ford wanted Burl Ives for the role of the general, but Ives’ health was not up to the task, and Ford’s own health also failed.
|The Thrill of a Lifetime|
A Diary from the set of "Cinerama Holiday"
By Betty York
Even on the 12th of January, Christmas is still hanging on with trees and tinsel seen occasionally in restaurants and stores. We finally met the great man himself - De Rochemont. We were both so scared we felt like dolts and could hardly speak. After all, what can one say to a person so great as he must be to produce the fine movies which we have seen.
|Visiting John Harvey|
By Tom March
I just got back from visiting John Harvey in Dayton Ohio where he has been living at the Pinnacle Pointe Nursing and Rehabilitation Centre since 1998. Never ceasing to amaze, John had a big new curved screen TV set up in his room and, when I arrived, it was all cued up to run the Rockaway Playland roller coaster.
By Thomas Hauerslev
Co si máme představit pod pojmem systém Todd-AO? Todd-AO je sedmdesátimilimetrový film s obrovským rozlišením a ostrostí, který se promítá na obří plátno rychlostí posuvu 30 políček za vteřinu. Svou nedostižnou kvalitou obrazu je sedmdesátimilimetrový film nesmírně působivý právě díky velikosti obrazového pole a vysoké snímkové frekvenci. Negativ je 4 x větší než klasický 35mm širokoúhlý film. Systém Todd-AO se stal vzorem pro 65mm a 70mm film a inspiroval filmový průmysl po celých šedesát let od svého vzniku. Sedmdesátimilimetrový filmový formát si dnes často spojujeme zejména s historickými velkofilmy a muzikály 60. let.
|"Oklahoma!" screening & Report of visit to the studios in Los Angeles|
By Fred C. Matthews and Frank Riffle, August 1955
Projection equipment was a Phillips 70mm projector containing both 6 track magnetic pickup equipment and a single track optical pickup built in the projector itself. Picture and sound quality was excellent. The light source utilized was a Peerless Hicandescent arc lamp operating at 180 amperes with National Carbon Company Hitex 13.6mm positive carbon.
• Go to The Thrill of a Lifetime
• Go to 70mm Release Summary Sydney
• Go to cinemas: Centre on George Street | Pitt Centre | Hoyts Entertainment Centre | Village Cinema City
• Go to format: CinemaScope 55 | Panavision | Spherical | Super Panavision 70 | Super Technirama 70 | Todd-AO | Ultra Panavision 70 | VistaVision
|MY FAVORITE THINGS|
|• Go to Brian Guckian|
• Go to Wolfram Hannemanns
• Go to Gerhard Witte