“Almost like a real web
site”
|
IN7OMM.COM
• Search |
Contact
• News |
e-News |
• Rumour Mill |
Stories
• Foreign Language
• in70mm.com auf Deutsch
WHAT'S ON IN 7OMM?
7OMM FESTIVAL
• Todd-AO Festival
• KRRR! 7OMM Seminar
• GIFF 70, Gentofte
• Oslo 7OMM Festival
• Widescreen Weekend
TODD-AO
• Premiere |
Films
• People |
Equipment
• Library |
Cinemas
• Todd-AO Projector
• Distortion Correcting
PANAVISION
• Ultra Panavision
70
• Super Panavision
70
|
|
VISION, SCOPE & RAMA
1926
Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953
CinemaScope
1955 Todd-AO
1955 Circle Vision
360
1956
CinemaScope 55
1957 Ultra
Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super
Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope
70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema
180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001
Super Dimension 70
2018 Magellan 65
•
Various Large format
| 70mm to 3-strip |
3-strip to 70mm |
Specialty Large Format |
Special Effects in 65mm |
ARC-120 |
Super Dimension 70
| Early Large Format
• 7OMM Premiere in
Chronological Order
7OMM FILM & CINEMA
• Australia |
Brazil
• Canada |
Denmark
• England |
France
• Germany |
Iran
• Mexico |
Norway
• Sweden |
Turkey
• USA
LIBRARY
• 7OMM Projectors
• People |
Eulogy
• 65mm/70mm Workshop
• The 7OMM Newsletter
• Back issue |
PDF
• Academy of the WSW
7OMM NEWS
• 2026 | 2025 | 2024
• 2023 |
2022 |
2021
• 2020 |
2019 |
2018
• 2017 |
2016 |
2015
• 2014 |
2013 |
2012
• 2011 |
2010 | 2009
• 2008 | 2007 |
2006
• 2005 | 2004 |
2003
• 2002 |
2001 |
2000
• 1999 |
1998 |
1997
• 1996 |
1995 |
1994
|
in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
•
in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
to contribute.
•
Disclaimer |
Updates
• Support us
• Testimonials
• Table of Content
|
|
|
Extracts and longer
parts of in70mm.com may be reprinted with the written permission from
the editor.
Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
|
| |
"Meine Lieder-Meine Träume" in Germany |
Read more at in70mm.com The 70mm Newsletter
|
Written by: Udo Heimansberg,
Metropol Düsseldorfer Filmkunstkino GmbH, Düsseldorf, Germany |
Date:
01.08.2014 |
I just read the article about
Bradford 2013
and found the comment about the German prints of "THE SOUND OF MUSIC".
This is a very strange story, here it is, how I experienced and heard it:
I saw SOM under the German title "Meine Lieder-Meine Träume" (My
songs-my dreams) here in Düsseldorf in Todd-AO with a new, genuine uncut
print. Six month later, after the film received the "Oscars", they tried
again: Same cinema, Todd-AO, uncut except the two nun's songs- they were
missing due to pressure of the catholic church (years before "Sister Act"!).
In 1972 there was a re-release in Germany under the original title, "THE
SOUND OF MUSIC", again in Todd-AO and, beside the two songs, uncut.
All these screenings were in our western part of Germany.
Later I heard this story (which Robert Wise mentioned in an interview on the
DVD):
In the southern part of Germany in the Frankfurt branch of 20th Century Fox
there was a guy who hated this end of the film (he was reportedly an old
Nazi) and cut it off himself. A far relative of
Robert Wise (the southern
part of Germany was under American control after the war and many American
soldiers lived there with their families) wrote to the producer/director
about this screening, and their reaction came immediately. The film was
completed again and there might have been only a handful of screenings at
the time.
To proof this: The film and its songs where completely dubbed ´til the end.
Also 35mm prints were complete. I saw the film in the first week in its
absolute integrated version. On the German Blu Ray today you have this
complete dubbed version!
We had a lot of "cuttings" during that time: In BATTLE OF THE BULGE the
massacre of the american prisoners was completely cut, in IS PARIS BURNING
the execution of the communist part of the Résistance was cut and sometimes
projectionists did their own, individual cutting: in THE BIG RED ONE one of
them cut out all the scenes in a concentration camp, because "there were no
concentration camps, that's an invention of Hollywood"... THE KING AND I all
the songs except maybe three were cut out, and so on, etc.....
I hope, this makes the water clear....
|
More in 70mm reading:
Das Vergessene Tal In Innsbruck
Widescreen Weekend 2013
Robert Wise - a remembrance
Internet link:
|
|
|
Go: back - top - back issues - news index Updated
21-01-24 |
|
|