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Motion pictures photographed in Ultra Panavision 70
•
"On "Battle of
the Bulge" I did not have the choice of the system, but
one of the things that helped me decide me to make this
movie was the chance to show tanks looking like
monsters, coming out of the ground and towering over the
puny, small "human insects". Then, of course, I had to
show how the human beings actually win the battle. That
was my concept and I could only achieve it on a system
like Ultra Panavision 70".
Ken Annakin, The 70mm Newsletter,
July 2001
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Title
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Released
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Cinema
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Notes
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 Raintree County
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02.10.1957
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Brown, Louisville,
USA
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MGM Camera 65.
Released only in 35mm. Cameras from the 1930s and re-designed by
MGM Camera Dept.
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 Ben Hur
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18.11.1959
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State, NYC, USA
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MGM Camera 65
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 Mutiny
on the Bounty”
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08.11.1962
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State, New York, USA
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 It’s
a Big, Big, Big, Big Screen: The 70mm Presentations of “It’s a Mad,
Mad, Mad, Mad World”
The Roadshow Engagements
of "It's A Mad Mad Mad Mad World" - It's A Long Long Long Long List
(2010)
It's a Mad, Mad,
Mad, Mad World
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07.11.1963
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Cinerama Dome, Los Angeles,
USA
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Premiered "In
Cinerama"
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 The Fall of the
Roman Empire
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24.03.1964
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Astoria, London, England
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 “The
Greatest Story Ever Told”
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15.02.1965
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Warner, NYC, USA
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Premiered "In
Cinerama"
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 “The
Hallelujah Trail”
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23.06.1965
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Warner, LA, USA
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Premiered "In
Cinerama"
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 “Battle
of the Bulge”
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16.12.1965
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Cinerama Dome, Los Angeles,
USA
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Premiered "In
Cinerama"
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 Khartoum
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09.06.1966
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Casino, London,
England
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Premiered "In
Cinerama"
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 "The
Hateful Eight"
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07.12.2015
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Cinerama Dome, Los Angeles, USA
7OMM Roadshow Release 25.12.2015
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7OMM
Theatre List
Production Notes
FotoKem made 120 7OMM prints from 1 inter negative
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Sinner
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25.03.2025 |
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Partly photographed in 65/IMAX
5/7OMM prints not confirmed
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Miscellaneous
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 How The West Was Won
(Process shots and certain sequences)
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02.11.1962
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Casino, London,
England
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Parts only, rest in
3-strip Cinerama
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 An Homage To D. W.
Griffith
(Short film)
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27.02.1989
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Tokyo, Nippon Budokan
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Ultra Panavision 70 lenses also used for:
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Star Wars Anthology: Rogue One
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16.12.2016
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Shot digitally. Unconfirmed
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Assistant contributors on some large format lists includes
Michael Coate, David Coles, Jeffrey L. Johnson, Scott Marshall, Tak Miagishima,
Rick Mitchell, Dan Scherlock, Richard Vetter and Ingolf Vonau.
Based on material found in many sources, including trade papers, Variety,
Wide Screen Movies (Robert E. Carr & R. Michael Hayes) and Four Aspects of The Film (James L Limbacher)
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Online: 02-06-1999. Updated:
05-01-2025 |
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