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in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

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Visit biografmuseet.dk about Danish cinemas

 

Seeing the Big Picture
7 Big Screen Classics Screened In 70mm @ the
American Cinematheque, Hollywood, USA

Read more at
in70mm.com
The 70mm Newsletter
Written by: American Cinematheque, Hollywood, USA Date: 16.01.2016
Requiring special projector lenses sent to theaters to capture the filmís visual impact, Quentin Tarantinoís new Western, THE HATEFUL EIGHT, was shot in Ultra Panavision 70 - the first such production since KHARTOUM. Other films shot in Ultra Panavision include the star-studded comedy ITíS A MAD, MAD, MAD, MAD WORLD, which proved as side-splitting as it was screen-stretching, and the timeless classic BEN HUR, whose famous chariot race used the edges of the image to keep audiences on the edge of their seats.

Recent releases like Christopher Nolanís sci-fi adventure INTERSTELLAR and Paul Thomas Andersonís philosophical character study THE MASTER underline the continuing appeal of widescreen formats to filmmakers. While 70mm films are rare these days, during the mediumís Golden Age from 1955 to 1970, there were nearly 60 Hollywood features shot in large-format (with many more released in special engagements as 35mm-to-70mm blow-ups). And as with Tarantino, Nolan and Anderson, the possibilities offered by widescreen vistas were put to very diverse uses. Cast-of-thousands historical sagas were naturals for such epic presentations, and multi-Oscar winners LAWRENCE OF ARABIA still looks stunning in 70mm. Master of suspense Alfred Hitchcock reached what many consider the summit of his career with San Francisco-set mystery VERTIGO. And with SILVERADO, writer-director Lawrence Kasdan dusted off the Western for a 1980s audience (SILVERADO was shot on Super 35mm but is presented in 70mm; BEN HUR will be presented in DCP.

Recent releases like Quentin Tarantinoís THE HATEFUL EIGHT underline the continuing appeal of widescreen formats to filmmakers. Join us for two weekends of some of our favorite 70mm and Ultra Panavision-shot films, ranging from the mediumís 1955-to-1970 Golden Age (LAWRENCE OF ARABIA) to more contemporary epics such as THE MASTER.
 
More in 70mm reading:

Now showing in 70mm in a theatre near you!

Planning and Running the American Cinematheque's First 70mm Festival

The American Cinematheque's Second 70mm Festival

Internet link:


americancinemathequecalendar.com


 

Complete Schedule

 
Films in this Series at the Egyptian

KHARTOUM
Thu, Jan 28, 2016 - 7:30pm
Egyptian Theatre

ITíS A MAD, MAD, MAD, MAD WORLD
Fri, Jan 29, 2016 - 7:30pm
Egyptian Theatre

BEN-HUR (Warning! BEN HUR will be presented in DCP)
Sat, Jan 30, 2016 - 7:30pm
Egyptian Theatre

Films in this Series at the Aero

THE MASTER
Thu, Jan 21, 2016 - 7:30pm
Aero Theatre

SILVERADO
Fri, Jan 22, 2016 - 7:30pm
Aero Theatre

LAWRENCE OF ARABIA
Sat, Jan 23, 2016 - 7:30pm
Aero Theatre

VERTIGO
Sun, Jan 24, 2016 - 7:30pm
Aero Theatre
 
 
   
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Updated 21-01-24