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VISION, SCOPE & RAMA
1926
Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953
CinemaScope
1955 Todd-AO
1955 Circle Vision
360
1956
CinemaScope 55
1957 Ultra
Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super
Panavision 70
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1960 Smell-O-Vision
1961 Sovscope
70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
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1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema
180
1974 SENSURROUND
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1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001
Super Dimension 70
2018 Magellan 65
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in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
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in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
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Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
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Report on the 65/70mm Workshop
held at the National Media Museum, Bradford, UK,
during the Widescreen Weekend on Sunday 9th March 2008
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Read more
at
in70mm.com
The 70mm Newsletter
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Written
by: Ramon
Lamarca Marques,
Brian Guckian
and Mike Taylor |
Date:
01.06.2008 |
65/70mm
Workshop, 3rd Session 2009. Picture By Paul Rayton.
This year's Workshop brought up key themes around quality
control in the cinema and the need for cinema to offer an
experience far surpassing that increasingly available in the
home.
Attendees this year were:
Mr. Graham Gartner, Mr. Saddiq Hussain, Mr. Carsten Kerkhoff and
Mr. Paul Rayton.
Brian Guckian, Ramon Lamarca and Mike Taylor chaired the
Workshop at Pictureville.
The Workshop started with discussion on current cinema
projection quality and contributors noted that both 2K digital
video in the cinema and formats like Blu-Ray DVD in the home
often appeared to offer better quality than frequently poor
film-based projection at many cinemas. Sound quality was also
cited as being often better in the home environment.
The "McDonald's"-style format of today's cinemas was remarked
upon, as was the way the cinema business now seemed to be
effectively run by accountants for whom showmanship or formats
better than 2K digital video or 35mm were not a prime
consideration.
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More
in 70mm reading:
65/70mm Workshop
Cinema Lists
Internet link:
70mm 5-perf cinemas outside North America
70mm
5-perf cinemas in North America |
Future
of cinema exhibition? Big screen, Big Films, Big Cinema = Big Box Office.
Image by Thomas Hauerslev
A key contributor to this state of affairs was identified as being a lack of
quality control in theatrical exhibition, both in terms of print quality and
projection, and poor audience behaviour. There was some discussion of how to
exceed even Todd-AO in the cinema, by taking a cue from previous spectacular
and immersive formats like Cinerama.
An interesting suggestion was that a new, immersive, cinema viewing
experience, like that offered by Cinerama, could have significant attraction
for audiences. There was also discussion of how 70mm could be used for 3-D
screenings, using the over/under format pioneered in the past.
A comment that audiences weren't interested in 65/70mm brought up the need
for education and the requirement for a proper environment for such formats,
including large auditorium, curved screen, curtain tabs, full presentation
and a proper "entry" experience to the cinema, with ushers and stylish
cafe/bar areas.
Indeed, the largest auditoria in multiplexes could be enhanced for this
heightened experience, with installation of 70mm, curved screen, curtain
tabs etc. [Workshop Editors' note: This "Premier Screen" concept has been
outlined here.
Our thanks again to all who participated, and to Thomas Hauerslev and Bill
Lawrence for all their help and support.
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Updated
21-01-24 |
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