in70mm.com's page about VistaVision

FILMS IN VISTAVISION & 7OMM

• Go to VistaVision presented in 70mm

VISTA VISION NEWS

• Go to P T Anderson's "One Battle After Another" in VistaVision

• Go to Vistamorph® An alternative large negative format to 65mm origination REPOSTED

• Go to “The Brutalist" Review

• Go to VistaVision at the TLC Chinese

• Go to “The Brutalist" - International Press Notes

• Go to “The Brutalist”: The 70mm Presentations

• Go to “The Brutalist" About the 70mm Prints

• Go to "North By Northwest" - 70mm Screening at the Egyptian, Hollywood, CA, USA

• Go to "North By Northwest" in 70mm at the Tribeca Festival

• Go to "The Searchers" - 70mm Screening at the Aero, Santa Monica, CA, USA

• Go to "The Searchers" Restored and Released in 70mm
• Go to "The Searchers" VistaVision Scan Examples

VERTIGO

• Go to Restoration of "Vertigo"

• Go to "Vertigo" Cast and credits
• Go to "Vertigo" update in 70mm DTS
• Go to Upcoming re-release of "Vertigo"

• Go to “Vertigo”: The North American 70mm Engagements

THE TEN COMMANDMENTS

• Go to “The Ten Commandments”: The North American 70mm Re-Release Engagements

ELLLSTON BAY

• Go to "Ellston Bay" - in VistaVision

The Making of ‘Ellston Bay’
By Nicholas Eriksson
Principal photography on the ambitious large-format short film ‘Ellston Bay’ concluded recently, marking the first time in a very long period that the 35mm VistaVision format has been utilised exclusively for a dramatic production. Below, Director and Cinematographer of the project Nicholas Eriksson talks further about the challenges of originating on VistaVision, and the benefits of using such a large negative area.

• Go to Gallery: Photography at the Pinewood Studios' Underwater Stage

• Go to The Man Who Could Work Miracles - in VistaVision

SCHAUBURG VISTA VISION FESTIVAL 2009

VistaVision Weekend @ Schauburg
By Herbert Born
The Schauburg Kino in Karlsruhe celebrates VistaVision including "Vertigo" in 70mm + a rare charity screening of "The Alamo"

Berg der Kinoträume: Paramounts VistaVision
Von Christian Appelt
Die amerikanische Filmindustrie suchte eine Lösung für ein kaum lösbares Problem: Wie war der Rückgang des Kinobesuchs zu stoppen?

VistaVision Review
Von Werner Neuner
Am 6.+7.Juni 2009 fand das 2.Widescreen-Festival in Karlsruhe in der Schauburg statt. Dieses Mal war das Motto „VistaVision, Technicolor und Perspecta Sound“.

VistaVision Introductions
Von Wolfram Hannemann
Einmal mehr laden wir Sie ein zu einer Reise in die Vergangenheit, als das gute alte Hollywood noch Hollywood war und sich mit wahrem Ideenreichtum gegen die drohende Konkurrenz des Fernsehens zur Wehr setzte.

THE NEGATIVE

VistaVision Strikes Back
By David Harvilla & Jack Winemiller
The Negative, is about a large format still photographer and his journey in the wilderness of the American West. The film is a love letter to the John Ford western The Searchers, which was filmed in Monument Valley, a red-sand desert region on the Arizona-Utah border, which the production team of The Negative also chose as their shooting location. The scale of the landscape and theme of The Negative called for an epic shooting format. After exploring different options and formats, the filmmakers decided to originate the film on VistaVision.

CENTURY VISTA VISION PROJECTOR

Horizontal VistaVision Projector
By Larry Davee
The design of a new projector mechanism normally involves between one and two years of engineering work—and this time they wanted it done in four weeks. They wanted a miracle. And—miraculously—they got it.