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VISION, SCOPE & RAMA
1926
Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953
CinemaScope
1955 Todd-AO
1955 Circle Vision
360
1956
CinemaScope 55
1957 Ultra
Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super
Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope
70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema
180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001
Super Dimension 70
2018 Magellan 65
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in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
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in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
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Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
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Who is Greg Kimble?
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Read more
at
in70mm.com
The 70mm Newsletter
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Date:
October 21, 2002 |
Greg
Kimble is a classically trained visual effects supervisor with credits
dating back to the Special Edition of "Close Encounters".
An avid "Trekie," his first screen credit was on the original
Star Trek film, where he shot all the Klingon war birds and the V'ger
craft.
Later, he got John Glenn safely back to Earth in "The Right
Stuff," made two Michael J. Foxes in "Back To The Future
2," and multiplied the armies in "Braveheart."
The digital age brought many disaster films, like "Volcano,"
"Titanic," "Armageddon," and "Independence
Day," where as Optical Supervisor, he was responsible for every
shot in the picture.
A passionate booster of film preservation, he assisted on the restoration
of "A Clockwork Orange" and was the restoration
supervisor of "Yellow Submarine."
In addition to his rabid interest in Cinerama, he is often found at film
festivals where his live-narrated documentary on the history of visual
effects amazes with its examples of pre-digital effects technology dating
back to the very beginnings of film in 1895.
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Further
in 70mm reading:
"How The West Was
Won" in Cinerama
Cinerama's 50th
Anniversary
Life in Three Panels
in70mm.com's Cinerama page
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Updated
21-01-24 |
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