The Worlds Greatest Movie Posters
The art of Howard A. Terpning
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The 70mm Newsletter
|Collected for the web by: Thomas Hauerslev||Date: 6 October 2006|
A tribute to artist Howard Terpning's movie artwork
|Since the late 1970s, Howard A. Terpning has been famous for his highly respected western paintings, but before he started to paint the native Americans, he employed himself as an illustrator for the major Hollywood films studios during the 1960s. Thanks to his talent, we can still enjoy looking at posters which are more than 40 years old. His paintings are world famous and in some cases true movie icons, like the "Doctor Zhivago" and "Cleopatra" posters. |
Only in very few cases, the names of poster artists are familiar names. Usually, the artists is completely unknown. Perhaps with the exception of Saul Bass. This page starts the search for movie poster artists who have been unknown for too long. Please send your stories about the posters and your pictures of posters.
Howard Terpning was one artists among several who specialized in making movie posters - which in some cases are collectors items today. Some of his colleagues from that era was: Frank McCarthy ("The Great Escape", "The Dirty Dozen" and "Once Upon A Time In The West"). Bob Peak ("My Fair Lady", The "Star Trek" movie series, "The Spy Who Loved Me", "My Fair Lady" and "West Side Story"). Jack Davis ("It's a Mad Mad Mad Mad World"), Reynold Brown ("How the West Was Won"), Frank Frazetta ("After the Fox"), Robert McCall ("Tora Tora Tora" and "2001. A Space Odyssey") and of course the great Saul Bass ("Vertigo")
A special thanks to Mr. Crispin Garcia, editor of "The Sand Pebbles" web site for the generous permission to re-use some of the movie posters from his web site. For a near-complete gallery of of Howard Terpning's posters, visit the site.
Around the internet, several stories can be found about Howard Terpning's back ground and I have copied them here for your reading pleasure. A couple of books are also available - please see below.
|In March 2006, I contacted Howard Terpning's son, Mr. Steven Terpning and suggested he and his dad wrote the story about Howard A. Terpning's Hollywood years. Alas, Mr. Terpning is not interested.|
Until a story can be written, the posters will have to speak for themselves
|30. March 2006|
Dear Mr. Hauerslev,
Thank you for your interest in my fathers movie poster work. Unfortunately my father does not really have any interest in writing or having written a story about his Hollywood movie posters. Thank you again for the interest in his work. Perhaps many years from now he may change his mind.
|More in 70mm reading:|
The Sand Pebbles (Cripin Garcia)
B & R Art Gallery
Swoyer's Fine Art and Collectibles
Howard A. Terpning books at Amazon
|"SPIRIT OF THE PLAINS PEOPLE"|
Storyteller of the Native American People
From Swoyers Art
Howard Terpning was born November 5, 1927, in Oak Park, Illinois, birthplace also of Ernest Hemingway. His father worked for the Northwestern Railroad. His mother was an interior decorator. As a boy he was torn between two ambitions: to be an artist or to be a pilot. His brother Jack lived out the latter ambition, becoming a B-24 bomber pilot in World War II. Unfortunately, he was lost in New Guinea.
In 1945, at age seventeen, Terpning joined the Marine Corps and served as an infantryman in China. Afterward, he found educational institutions heavily enrolled with returned war veterans. He was told he would have to wait in line to enter the Chicago Academy of Fine Art. His father's friend and neighbor, illustrator Harold Mundstock, interceded with the academy. Later Terpning attended the American Academy of Fine Art.
He had made up his mind to try New York City, but after several discouraging days of looking in vain for work in the many art studios, he returned to Chicago. Mundstock introduced him to Haddon (Sunny) Sundblom, at the time considered the dean of American illustrators. He took Terpning on as an apprentice for thirty-five dollars a week.
After five years he moved to Milwaukee, where for three years he painted such subjects as farmers on tractors. Deciding it was finally time for New York, he signed on with Stephens Bionde de Chicco. There for five years he learned to simplify and to work quickly without sacrificing quality. Striking out on his own then, he painted seven days a week, often thirteen hours a day. He averaged eight illustrations a month, a pace that today makes him wonder how he managed.
In 1967 he accepted an invitation from the Marine Corps to document Vietnam War scenes as a civilian combat artist. Given a temporary rank of major to allow him relative freedom of movement, he spent a month in Vietnam. Though his weapons were a camera, sketchbook, and pencils, his Marine experience led the combat troops into taking him out on patrols, where they engaged in two firefights with the Viet Cong, and flying him in a medivac helicopter behind the lines to pick up the wounded.
From Greenwich Workshop
Reprinted with permission.
Quite simply, Howard Terpning is one of the most lauded painters of Western art. His awards are so numerous and he is honored with them so often, that to list them would require changing the count every few months. To name three would be to cite the highest prizes awarded to Western art: countless awards from the Cowboy Artists of America, the Hubbard Art Award for Excellence, the National Academy of Western Artís Prix de West and the Lifetime Achievement Award from the Autry National Center.
Why such praise? Passion, compassion, devotion and respect for his subject matter, extraordinary talent in palette and brushstroke, an exceptional ability to evoke emotion both in his paintings and from those viewing them ó all this and more has made Terpning the "Storyteller of the Native American."
Born in Illinois and educated at the Chicago Academy of Fine Arts and the American Academy of Art, he first gained attention with his captivating advertising and story illustrations. Film fans praised his movie posters for such classics as The Sound of Music, Dr. Zhivago and the re-issue of Gone with the Wind. But his love of the West and Native American traditions saw his transition to fine art.
|"THE ART OF HOWARD TERPNING"|
Out of that harrowing experience came six paintings now displayed in the Marine Corps Museum in Washington, D.C. Out of it also came something else: a much-diminished regard for material things and a heightened empathy with distressed and deprived people. That empathy would later carry over with much effect into his paintings of the Plains Indians.
In all, he worked prolifically as a commercial artist for twenty-five years, seventeen of them in New York City. Besides advertising art, he illustrated stories and articles for such publications as McCall's, Ladies' Home Journal, Reader's Digest, Good Housekeeping, Newsweek, and Time. He painted more than eighty movie posters, starting with The Guns of Navarone. They include Doctor Zhivago and a reissue of Gone With the Wind. One of his favorites is a poster for The Sound of Music.
He became restless, however. Though financially rewarding, the commercial work was no longer satisfying to him as an artist. To meet his creative urge for something more permanent, he began painting portraits for his own pleasure. Among the first was Sioux Chief Gall, done for his daughter Susan.
In the summer of 1974, at age forty-seven, he took a couple of months off from his commercial work and finished three easel paintings on speculation and hope. The feeling of freedom, of painting what he wanted instead of commissioned pieces, work done to order, made that summer one of the most satisfying of his life as an artist. He sent the canvases to Troy's Gallery in Scottsdale, Arizona, which sold them in January 1975. That was a turning point. Gradually he reduced his commercial accounts, accepting fewer assignments. Born in Oak Park, Illinois, and educated at the Chicago Academy of Fine Arts and the American Academy of Art, Terpning went the apprentice route to work his way to New York and commercial illustration. Having built a successful career in advertising illustration, he gave it up in 1976 and moved to Tucson to become a western painter, and in just a few years he won the respect and admiration of his peers, and a vast following for his works. In 1976, he walked away from a successful illustration career to pursue his dream of chronicling the Native American people. Within two short years he became one of the giants in his field.
|Terpning is an Emeritus member of the Cowboy Artists of America, active for 22 years, during which time he was presented with a total of 41 awards. His book, The Art of Howard Terpning won the Wrangler "Outstanding Art Book" award from the National Cowboy Hall of Fame. |
Terpning was recently honored with a one-man show at the Eiteljorg Museum of American Indians and Western Art in Indianapolis, Indiana featuring 30 of the artistís most distinguished works where he was presented with the Lifetime Achievement Award. This career milestone was further celebrated with the publication of Spirit of the Plains People (2001, Greenwich Workshop Press). Terpning is the recipient of the Autry National Center, 2005 Masters of the American West Thomas Moran Memorial Award, given in recognition of exceptional artistic merit for painting.
Howard Terpning 70mm Film Posters
|More poster artists|
|Lawrence of Arabia 1962 - January||55 Days at Peking 1962 - September||Cleopatra 1963 - January|
|Cleopatra 1963 - January||The Agony and the Ecstasy 1965 - March||Sound of Music 1964 - August|
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|Doctor Zhivago 1966 - January||The Sand Pebbles 1967 - February||Far From the Madding Crowd 1967 - April|
| || || |
|Ice Station Zebra 1968 - June||McKenna's Gold 1968 - November||Where Eagles Dare 1969 - May|
|The Song of Norway 1969 - November||Ryan's Daughter 1970 - October || |
| || || |
|My Fair Lady 1964 - March||Those Were the Happy Times 1969 - September (aka Star!)||Funny Girl 1967 - October|
| || || ||Joseph Smith (Silent Running)|
John Berkey (The Towering Inferno)
William Stout (Caveman)
Renato Casaro (Conan The Barbarian)
John Solie (Shaft in Africa)
John Alvin (Young Frankenstein)
Richard Amsel (The Shootist)
Drew Struzan (Under Fire)
Bernie Lettick (Sinbad and the Eye of the Tiger)
Ted CoConis (Fiddler on the Roof).
For a full list, please see excellent "The Sand Pebbles" web site
|The Comedians 1967 - September||Lord Jim 1964 - October|
|Cleopatra 1963 - January||Grand Prix 1966 - September|
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