“Almost like a real web site”
 

IN7OMM.COM
• Search | Contact
• News | e-News
• Rumour Mill
• Foreign Language
• Auf Deutsch

WHAT'S ON IN 7OMM?

TODD-AO PROCESS
• Films | Premiere
• People | Equipment
• Library | Cinemas
• Distortion Correcting
• DP70 / AAII Projector
 


TODD-AO FESTIVAL
• Through the Years | Festival Archive | Schauburg

7OMM FESTIVAL
• Gentofte | Krnov
• Bradford | Varnsdorf

VISION, SCOPE & RAMA
1895 Bioscop
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1954 Perspecta
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

•
Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
• 7OMM Premiere in Chronological Order

7OMM ON EARTH

• Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
• Interview | Eulogy
• Academy of the WSW
• 7OMM Projectors
• The 7OMM Newsletter
• Back issue | Stories
• 70mm Workshop

7OMM NEWS
• 2026 | 2025 | 2024
• 2023 | 2022 | 2021
• 2020 | 2019 | 2018
• 2017 | 2016 | 2015
• 2014 | 2013 | 2012
• 2011 | 2010 | 2009
• 2008 | 2007 | 2006
• 2005 | 2004 | 2003
• 2002 | 2001 | 2000
• 1999 | 1998 | 1997
• 1996 | 1995 | 1994
 

in70mm.com Mission:
• in70mm.com is a free magazine-styled website dedicated to the promotion and preservation of any kind of 70mm film projection, a high-resolution film format. The website serves as a hub for contributing enthusiasts, filmmakers, and historians interested in the technical aspects, history, and cultural significance of 70mm film.

• Disclaimer | About
• Support us | Staff
• Testimonials
 

 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.

Copyright © 1896 - 2070. All rights reserved.
 


Visit biografmuseet.dk about Danish cinemas
 

Taking a Mini View in a Maxi Way

Read more at
in70mm.com
The 70mm Newsletter
Written by: Kinematograph Weekely, July 11, 1970 Date: 29.03.2008
Bob Morgan, Jock Upfold, James Clavell.

EXHIBITORS, circuit bookers and members of the press were Invited by Ron Lee, managing director of Cinerama International Releasing Organisation, to see a twenty-minute mini-version of James Clavell's 70mm production of "The Last Valley".

The mini film was specially made in 70mm by Clavell, who produced, directed and wrote the story of "The Last Valley" for showing to professionals, exhibitors, booking executives and pressmen-throughout the world. As he said, "..it has a beginning, a middle and an end" to give a clear impression of the story, the settings, the action and the performances of the cast.

The adventure epic stars Michael Caine and Omar Sharif and tells the story of a group of soldiers in the Thirty Years' War. It is being made by Clavell for ABC Pictures Corporation and will be ready for screening in the autumn.
 
More in 70mm reading:

4. Todd-AO 70mm-Festival 2008

Todd-AO Films

Internet link:

 
Douglas Brunger, Bill Altria, Ron Lee, Bob Barton, Bill Pay.
 
 
David Niven, Alan Kean, Morris Young, C. Elliot, Alan Kean, Ron Lee, Bob Barton, Frank Rush.
 
 
"The Last Valley" comes with an additional reel of 70mm for which I’ll try and provide a little background. It is my understanding that the director prepared this reel featuring several sequences from the film to help promote it, or use as a means of getting relevant parties/distributors interested in the movie. It’s almost like a 70mm fifteen minute trailer – however it’s interesting because it doesn’t feature any of John Barry’s final score, but temporary dubbed music to help create the right atmosphere. I assume therefore that this was prepared well in advance of its initial release and before John Barry had scored the movie. Each separate sequence is individually spliced together, so the reel contains a huge number of splices.

By Duncan McGregor, Chief Projectionist, Pictureville, Bradford
 
 
 
 
Go: back - top - back issues - news index
Updated 09-07-26