“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

TODD-AO
Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

PANAVISION
Ultra Panavision 70
Super Panavision 70
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Super Dimension 70Early Large Format
7OMM Premiere in Chronological Order

7OMM FILM & CINEMA

Australia | Brazil
Canada | Denmark
England | France
Germany | Iran
Mexico | Norway
Sweden | Turkey
USA

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

Cinerama 70mm short subject remastering work completed

Read more at
in70mm.com
The 70mm Newsletter
Written by: Dave Strohmaier Date: 01.04.2015
About 5 years ago Randy Gitsch and I brought to the Widescreen Weekend events at the National Media Museum in Bradford a few of the 70mm short subjects. The 6-track magnetic prints were certainly faded to the usual Eastman color magenta, and we realized that at some point we should do a digital makeover to protect the assets. Tom March and I went to the vaults last January to pull the titles and examine them for overall condition. We could see that the fading was even more severe that when the prints were shown a few years back. Since no negatives were ever located we would have to relay on color recovery techniques to try to rebuild back as much color as possible.

These three titles were, “Shellarama”, “Bridge To Space” and “Concorde”. A similar remastering process was done on the Cinerama version of
"Fortress of Peace" last year.
 
More in 70mm reading:

Cinerama Remaster

"Fortress of Peace" 70MM Remastering In 2K Digital

“Broadsword Calling Danny Boy” Widescreen Weekend Report 2009

Lost Orphaned Films Abandoned in Basement


The History of 70mm Short Subjects

Internet link:


 
70mm cases pulled from the vaults and labels to go to Fotokem for scanning. Image by Tom March

We shipped the 70mm cases over to Vince Roth at Fotokem for cleaning and the prep for the scanning work.

During the scanning some color was recovered with a one light adjustment to several areas but another more extensive session by Fotokem’s colorist Willie Lawton, on the DaVinci Resolve, would be required to do a full scene-by-scene correction for the final.
 
 
Dave Strohmaier examines the Shellarama Eastman color print. Image by Tom March

After scanning I would digitally “dust bust” each frame to clean up the blotches, dirt and minimize any vertical scratches as well as the final color adjustments. Meanwhile at End Point Audio expert sound technician Nick Bergh was transferring the 6-track magnetic sound track directly from the 70mm print onto to digital files for a 5.1 mix. The owner of Audio Mechanics, John Polito personally re mixed the shorts for our new 5.1 print master.
 
 
Faded Eastman color main title

While not the ideal situation reasonable color can be often achieved. Some shots come out much better than others but the overall, while not perfect, is very impressive considering the condition of the print source.

The eventual use for these 70mm shorts might well be as bonus extras for any future Cinerama feature blu-ray releases such as "Russian Adventure", "Best Of Cinerama" or perhaps "The Golden Head".

In our earlier research we contacted the archives at NASA to see if they had any record of the title “Bridge to Space”. The archivist at NASA told us he did not know this film existed and he was very interested in getting a digital file for their archives as soon as possible. They now have a digital file of the film.
 
 
Final color and Smileboxing

The Digital Reconstruction


Reconstructed and Remasterd by
David Strohmaier

Produced by
Tom H. March

Scanned at Fotokem Film and Video

Remixed for 5.1 at
Audio Mechanics in Burbank, Ca.

70mm Print Source
Cinerama Inc.
 
 

Credits

 
Shellarama Eastman Color section blow up

SHELLARAMA


Cinerama presents a Dimitri de Grunwald production in Super Technirama-70

Written and Directed by: Richard Cawson
Produced by: Dimitri De Grunwald
Photography by: Stanley Sayer
Editing by: Fred Burnley
Music by: Johnny Scott

Production: Roger Good
Sound editing: Norman Savage
Sound mixing: Gordon McCallum
Night photography: Eric Willmott

Technicolor - Technirama
RCA Westrex Recording

UK - 1965 - 16 minutes
 
 
Final color and Smilebox

 
 
An aerial scene from “Bridge To Space” in Smilebox

BRIDGE TO SPACE


Directed by
Robert Gaffney

Produced by
Charles R. Trieschmann

Edited by
Angeleo Ross, A.C.E.

Cinerama Inc. and Seneca Productions

Technicolor
 
 
A scene from “Concorde”

CONCORDE


Written and Directed by
Pierre Jallaud

Produced by
Sylve Jallaud

Photography
Georges Barsky

Editing
Philippe Gosselet

An Objectifs Production
 
 

A montage of clips from each production on YouTube

 
 
   
Go: back - top - back issues - news index
Updated 21-01-24