“Almost like a real web
site”
|
IN7OMM.COM
• Search |
Contact
• News |
e-News |
• Rumour Mill |
Stories
• Foreign Language
• in70mm.com auf Deutsch
WHAT'S ON IN 7OMM?
7OMM FESTIVAL
• Todd-AO Festival
• KRRR! 7OMM Seminar
• GIFF 70, Gentofte
• Oslo 7OMM Festival
• Widescreen Weekend
TODD-AO
• Premiere |
Films
• People |
Equipment
• Library |
Cinemas
• Todd-AO Projector
• Distortion Correcting
PANAVISION
• Ultra Panavision
70
• Super Panavision
70
|
|
VISION, SCOPE & RAMA
1926
Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953
CinemaScope
1955 Todd-AO
1955 Circle Vision
360
1956
CinemaScope 55
1957 Ultra
Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super
Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope
70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema
180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001
Super Dimension 70
2018 Magellan 65
•
Various Large format
| 70mm to 3-strip |
3-strip to 70mm |
Specialty Large Format |
Special Effects in 65mm |
ARC-120 |
Super Dimension 70
| Early Large Format
• 7OMM Premiere in
Chronological Order
7OMM FILM & CINEMA
• Australia |
Brazil
• Canada |
Denmark
• England |
France
• Germany |
Iran
• Mexico |
Norway
• Sweden |
Turkey
• USA
LIBRARY
• 7OMM Projectors
• People |
Eulogy
• 65mm/70mm Workshop
• The 7OMM Newsletter
• Back issue |
PDF
• Academy of the WSW
7OMM NEWS
• 2026 | 2025 | 2024
• 2023 |
2022 |
2021
• 2020 |
2019 |
2018
• 2017 |
2016 |
2015
• 2014 |
2013 |
2012
• 2011 |
2010 | 2009
• 2008 | 2007 |
2006
• 2005 | 2004 |
2003
• 2002 |
2001 |
2000
• 1999 |
1998 |
1997
• 1996 |
1995 |
1994
|
in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
•
in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
to contribute.
•
Disclaimer |
Updates
• Support us
• Testimonials
• Table of Content
|
|
|
Extracts and longer
parts of in70mm.com may be reprinted with the written permission from
the editor.
Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
|
| |
“Lethal Weapon”: The North American 70mm Engagements
“Two cops. Glover carries a weapon. Gibson is one!” |
Read more at
in70mm.com The 70mm Newsletter
|
Compiled by:
Michael Coate |
Date:
28.05.2018 |
The
following is a reference / historical listing of the 70-millimeter
presentations of “Lethal Weapon” in North America. These were the best
cinemas in which to experience this motion picture.
“Lethal Weapon” was among seventeen confirmed first-run films released in
1987 with 70mm prints for selected engagements. The Silver Pictures
production and Warner Bros. release — directed by Richard Donner and
starring Mel Gibson, Danny Glover and Gary Busey — opened March 6th.
Pre-release screenings included the world premiere on February 23rd at
Mann’s Chinese in Los Angeles and sneak preview screenings (some in 70mm) in
selected markets on February 28th.
For the release of “Lethal Weapon,” Warner Bros. employed the services of
Lucasfilm’s Theatre Alignment Program (TAP) to evaluate and approve the
cinemas selected to book a 70mm print.
The 70mm prints of “Lethal Weapon” featured Six-Track Dolby Stereo (“A”
encoded “baby boom” format) and pillarboxed imagery (approximately 1.85:1)
blown up from spherical 35mm.
Warner Bros. circulated 70mm coming-attraction trailers for “Burglar,” “Full
Metal Jacket,” “Innerspace,” “The Lost Boys,” “Police Academy 4: Citizens on
Patrol” and “The Witches of Eastwick” during the release of “Lethal Weapon.”
As well, other studios circulated 70mm trailers during this period.
Ultimately, the 70mm trailers, if any, seen during the 70mm presentations of
“Lethal Weapon” varied by venue and screening.
The duration of the engagements (measured in weeks) has been included in
parenthesis following the cinema name.
CALIFORNIA
Los Angeles — Mann’s Chinese Triplex (11) [THX]
Los Angeles — Mann’s Village (11) [THX]
San Francisco — UA’s Coronet (9)
San Jose — Syufy’s Town & Country (13)
DISTRICT OF COLUMBIA
Washington — K-B’s Fine Arts (8)
ILLINOIS
Chicago — Cineplex Odeon/Plitt’s Esquire (13)
MASSACHUSETTS
Boston — USA’s Cinema 57 Twin (7)
NEW YORK
New York — Loews’ 84th Street 6-plex (11)
New York — Moss’ Criterion Center 6-plex (18)
TEXAS
Dallas — GCC’s Northpark West Twin (3) [THX]
WISCONSIN
Greenfield — Capitol’s Spring Mall 4-plex (14)
Note that some of the presentations included in this listing may have been
presented in 35mm during the latter week(s) of engagement due to contractual
terms or print damage and the distributor’s unwillingness to supply a 70mm
replacement print or because the booking was moved to a non-70mm-equipped
auditorium within a multiplex. As well, the reverse may have been true in
some cases whereas a booking began with a 35mm print because the lab was
unable to complete the 70mm print order in time for an opening-day delivery
or the exhibitor negotiated a mid-run switch to 70mm. In these cases, any
35mm portion of the engagement (or movement out of a branded auditorium) has
been included in the duration figure.
SUBSEQUENT 70MM ENGAGEMENTS & SCREENINGS
1987-05-08 … San Francisco, CA — UA’s Galaxy 4-plex (5) [THX]
1987-05-20 … Los Angeles, CA — Mann’s Bruin (3) [THX]
1987-05-20 … Los Angeles, CA — Mann’s Fox (1)
1987-06-12 … Los Angeles, CA — Mann’s Plaza (2)
1987-07-10 … Downers Grove, IL — Classic Cinemas’ Tivoli (1)
2004-12-07 … Los Angeles, CA — AMPAS’ Linwood Dunn*
2007-05-04 … Beverly Hills, CA — AMPAS’ Samuel Goldwyn**
*Private AMPAS staff double-feature screening with “Die Hard”
**Screened during The Sound behind the Image series + cast/crew Q&A
The information included in this article was principally referenced from
film industry trade publications, regional newspaper promotion, print
enclosures, and Dolby records. Special thanks to Don Beelik, Fritz Herzog,
Bill Kallay, Bill Kretzel, and Mark Lensenmayer.
International 70mm engagements of this title have not been accounted for in
this article.
If you believe this article contains any errors or omissions, please
consider emailing the
author or editor.
|
More in 70mm reading:
“Lethal Weapon 2”: The North
American 70mm Engagements
“Lethal Weapon 3”: The North
American 70mm Engagements
70mm Engagements
70mm Blow Up List
|
|
|
Go: back - top -
back issues -
news index Updated
21-01-24 |
|
|