“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

GO SEE THIS!!
DMX digital presentation

Read more at
in70mm.com
The 70mm Newsletter
Written by: Bill KallayDate: 27.10.2007
SDS 70mm frame

I attended the DMX digital presentation last night, and I have to say...

GO SEE THIS!

If you can make it up to Westwood, there is another screening at 1:00 p.m. on Saturday at the National on Lindbrook.

I'll just say that SDS-70 and the DMX systems blow away any digital, and possible film presentation, that I've seen in recent years.

There is no "strobing/rainbow" effect that I've associated with digital projection in the past. The picture is rock solid, yet looks and feels like 70mm film. The picture is BRIGHT. There is depth to the picture and excellent color.

The only loss of detail, and this may just be my eyes playing tricks on me, were in the Grand Canyon scenes of the terrain...but this is so minimal I'm sure no one will notice this. The nighttime shots of Times Square look better than the night footage I've seen from the high quality Viper camera (the DMX demo was shot in 65mm).

The program

*Short intro from Robert Weisgerber, inventor of SDS-70 and DMX

*Original SDS-70 short with Walter Cronkite

*DMX version of that same clip

*Comparison of 35mm (SDS-70) footage with DMX

*35mm converted to DMX (and I think you'll be very surprised with the high quality)
*Surprising "up-rez" of a classic John Wayne film

*The sound is uncompressed and is identical to the audio master

In other words, this format does everything I've hoped digital presentation would do. You might appreciate my enthusiasm because a system like this makes movies fun. My rave comes from being a fan of film and 70mm presentation. This was very impressive and makes me now comfortable that there is a digital presentation worth seeing and raving about.

Again, I don't own stock in Robert's company, nor am I employed by him. He is a good friend of mine, as is his partner, Barrie O'Brien. This endorsement comes from being a fan of his work, but also a fan of superior movie presentation. I think a lot of thrill of going to the movies has been lost over the last decade or more. But with SDS-70 and DMX, I think the thrill is back. Imagine the next Indiana Jones in this format, and you'll know what I'm talking about.

Go see this!
 
More in 70mm reading:

Super Dimensional Xperience

Super Dimension 70

Reformatting films in SDS-70´s "DMX" Process

Internet link:

Super Dimension 70

Super Vista Corporation
245 East 93rd Street, Suite 32 A
New York
NY 10128
USA

+1 212 369 5035
+1 212 348 4136 (fax)

Los Angeles +1 818 789 1065

 

 

 

 
 
 
Go: back - top - back issues - news index
Updated 25-09-24