“Almost like a real web
site”
|
IN7OMM.COM
• Search |
Contact
• News |
e-News |
• Rumour Mill |
Stories
• Foreign Language
• in70mm.com auf Deutsch
WHAT'S ON IN 7OMM?
7OMM FESTIVAL
• Todd-AO Festival
• KRRR! 7OMM Seminar
• GIFF 70, Gentofte
• Oslo 7OMM Festival
• Widescreen Weekend
TODD-AO
• Premiere |
Films
• People |
Equipment
• Library |
Cinemas
• Todd-AO Projector
• Distortion Correcting
PANAVISION
• Ultra Panavision
70
• Super Panavision
70
|
|
VISION, SCOPE & RAMA
1926
Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953
CinemaScope
1955 Todd-AO
1955 Circle Vision
360
1956
CinemaScope 55
1957 Ultra
Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super
Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope
70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema
180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001
Super Dimension 70
2018 Magellan 65
•
Various Large format
| 70mm to 3-strip |
3-strip to 70mm |
Specialty Large Format |
Special Effects in 65mm |
ARC-120 |
Super Dimension 70
| Early Large Format
• 7OMM Premiere in
Chronological Order
7OMM FILM & CINEMA
• Australia |
Brazil
• Canada |
Denmark
• England |
France
• Germany |
Iran
• Mexico |
Norway
• Sweden |
Turkey
• USA
LIBRARY
• 7OMM Projectors
• People |
Eulogy
• 65mm/70mm Workshop
• The 7OMM Newsletter
• Back issue |
PDF
• Academy of the WSW
7OMM NEWS
• 2026 | 2025 | 2024
• 2023 |
2022 |
2021
• 2020 |
2019 |
2018
• 2017 |
2016 |
2015
• 2014 |
2013 |
2012
• 2011 |
2010 | 2009
• 2008 | 2007 |
2006
• 2005 | 2004 |
2003
• 2002 |
2001 |
2000
• 1999 |
1998 |
1997
• 1996 |
1995 |
1994
|
in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas
as remembered by the people who worked with the films. Both during
making and during running the films in projection rooms and as the
audience, looking at the curved screen.
•
in70mm.com, a unique internet based magazine, with articles about 70mm
cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm
history and 70mm technology. Readers and fans of 70mm are always welcome
to contribute.
•
Disclaimer |
Updates
• Support us
• Testimonials
• Table of Content
|
|
|
Extracts and longer
parts of in70mm.com may be reprinted with the written permission from
the editor.
Copyright © 1800 - 2070. All rights reserved.
Visit biografmuseet.dk about Danish cinemas
|
| |
"The New World" in 65mm - no 70mm
prints
Rumour mill, gossip and perhaps a few facts
|
Read more
at
in70mm.com
The 70mm Newsletter
|
Written
by: Thomas Hauerslev |
Date:
10 December 2005 |
Last year it was bruited about that Terence Malick was shooting his new film
wholly or partially in 65mm and distributor New Line Cinema was checking
into whether there were enough theaters to do a limited 70mm release.
Although "The New World" is opening next month (25 December 2005), I've heard nothing about
65/70mm in relation to it. Is there a story here?
According to the cinematographer, Emmanuel "Chivo" Lubezki, he and
Malick briefly toyed with the idea of shooting the film in 65mm, but
ultimately opted for anamorphic 35. Apparently, they only used 65mm for a
few brief segments.
Here's a preview of a direct quote from Chivo on the matter: "Our initial
dream was to shoot the entire movie in 65mm, but there were so many
barriers", says Lubezki. "The only person who really supported us in that
idea was Vittorio Storaro [ASC, AIC]", who had mixed 65mm and 35mm on Little
Buddha. "I called him to talk it over, and he said, Chivo, don´t even think
about it. Shoot it all in 65!" But there are big problems with how to
distribute 65 and postproduce sound for it. No one
projects it any more."
The filmmakers did shoot a small amount of 65mm "for what we called
Hyper-enhanced moments" when, for example, John Smith or Pocahontas has an
important realization."
|
Further
in 70mm reading:
Now in "Smell-O-Vision"
Super
Panavision 70
Internet link:
Yahoo
Movies
Amazon.com
Total Film
IMDB
University of San Diego
Learn about The New World
|
70mm Prints?
|
|
New Line does its domestic
printing on Fuji stock, which I don't believe makes 70mm.
Rick Mitchell
It looks like Terrence Malick's "The New World" isn't going out with
70mm prints, at least here in L.A. Just plain 35mm and digital sound at the
ArcLight and AMC Century 15 (in underwhelming SDDS). From what I understand,
most of the film was shot in anamorphic, with a scene (or scenes) shot with
John Smith and Pochantas in 65mm. I'm sure most of you have read the most
recent issue of American Cinematographer featuring this film. There are some
*interesting* quotes from the DP regarding 70mm. Too bad 70s weren't struck.
If memory serves, this is the second time Malick has toyed with doing his
film in 70mm. I believe that "The Thin Red Line" was supposedly
considered for 65mm or at the very least, 70mm blow-ups. I don't have the
particular issue of American Cinematographer in front of me to verify.
Best,
Bill Kallay, 24. December 2005
|
|
|
|
Go: back
- top - back issues
- news index
Updated
21-01-24 |
|
|