“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News |
Rumour Mill | Stories
Foreign Language
in70mm.com auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Todd-AO Festival
KRRR! 7OMM Seminar
GIFF 70, Gentofte
Oslo 7OMM Festival
Widescreen Weekend

TODD-AO
Premiere | Films
People | Equipment
Library | Cinemas
Todd-AO Projector
Distortion Correcting

PANAVISION
Ultra Panavision 70
Super Panavision 70
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Super Dimension 70Early Large Format
7OMM Premiere in Chronological Order

7OMM FILM & CINEMA

Australia | Brazil
Canada | Denmark
England | France
Germany | Iran
Mexico | Norway
Sweden | Turkey
USA

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright ę 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

The Hateful Eight in London at The Odeon Leicester Square

Read more at
in70mm.com
The 70mm Newsletter
Written by: Mark Lyndon, London, assisted on the tech side by Ben Wales, London Date: 16.01.2016
Majestic OLS black marble facade from 1937 with Large-Format 7OMM poster display - the largest in the UK as far as we know. Image by Ben Wales

Make no mistake, this is a landmark in the history of the cinema, so much so that it has taken two correspondents to cover an event of this magnitude. All credit to Odeon, the film exhibitor that has dominated the British film going scene since the thirties of the last century. Odeon have risen magnificently to the challenge of catering to record breaking demand to see a film which is the talk of the town. We have never seen such massive crowds in Leicester Square, all determined to secure a seat to witness the must see film of the year, if not the century so far.

The buzz and excitement around "The Hateful Eight" is electric and on the technical side, it takes the best projection team in town to pull off a flawless presentation time after time. Michael Mannix, who by an odd coincidence shares his surname with a leading character in "The Hateful Eight" and his colleague Gordon .........were tasked with presenting the only print in the UK. Nothing was left to chance. A 4K Digital Cinema Package was running simultaneously alongside the 70mm UP print as back up to Tarantino and 70mm fans, who are legion. The Christie Digital Projector was like the proverbial scout, always prepared. The 70mm UP print was the only one in the country, it even had it's own security guard. More than that, we cannot reveal.
 
More in 70mm reading:

Quentin Tarantino's "The Hateful Eight" in Ultra Panavision 70

Ultra Violence in Ultra Panavision and Poetic Glory in Cinerama

Internet link:

 
"Sold Out 14:45" sign at the OLS. Indeed 7OMM is as popular as ever. Image by Mark Lyndon

Just look at the lines at the box office. Everyone loves and admires the Phillips DP70, or Dollar Princess as it was affectionately known by generations of admirers and projectionists. However, my lords, ladies and gentlemen, I give you the Queen! Queen Victoria 8. To crown her glory, Hyperion Development, a US based, specialist manufacturer of custom built lenses, provided the H88 Anamorphic Lens, a very high precision piece of equipment and the only one in the UK. The resulting image, skilfully projected onto the screen of the flagship Cinema of London, The Odeon Leicester Square; was simply stunning. Detail and definition, crispness and clarity, vibrancy of colour and shade, that no Digital Cinema Package could hope to equal.

Tarantino's long and hard fought battle to present "The Hateful Eight" in Ultra Panavision 70 to appreciative audiences around the world has been fully and triumphantly vindicated. He has fought the good fight, and he has won.
 
 

Key Technical Hate Details by Ben Wales

 
Two 7OMM time code readers. Image by Ben Wales

Projector:
Cinemaccancia Victoria 8 35/70mm Projector
Xenon Lamp 4500kw
Platter: 35/70mm Christie AW3
Sound: Twin 70mm DATASAT Reader Head on Projector
Processor: Twin DTS XD10 Media Player with one serves as back up for all screenings
Projection lens: Hypherion H88 for Ultra Panavision 70 prints
Back up: 4K DCP "Roadshow" showing BBFC and Entertainment ident before 70mm and serves as back up player
Screen width: 15m wide, wider than normal Cinemascope and 70mm screenings.
 
 

Extra Hateful Images

 
 
Box office lines outside OLS

 
 
Cakestand

 
 
We love the Dollar Princess, but Ladies and Gentlemen I give you Queen Victoria!

 
 
Michael Mannix Chief Projectionist with Offcut
 
 
Interesting that the leading player in H8 should be called Mannix, as well as the lead projectionist.

 
 
 
 
Interesting too, that the anamorphic lens is called H88

 
 
 
The Hateful Duo of London. Ben Wales (l) and Mark Lyndon (r) - as far as we know

Mark & Ben in Minnie's Haberdashery. Spoiler alert, we can't recommend the coffee...


 
 
   
Go: back - top - back issues - news index
Updated 21-01-24