Film Revival Gets Boost with New Large Format 65mm
Processing Facilities in the UK
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The 70mm Newsletter
|Written by: Kodak,
WATFORD, UK, Friday, November 11, 2016
revival of real film has received an additional boost with the news that
large format Kodak 65mm film processing facilities have opened in the UK.
Twentieth Century Fox’s "Murder On The Orient Express", directed by
Kenneth Branagh, and shot by cinematographer Haris Zambarloukos BSC, will be
one of the first productions to use the new installation.
In partnership with Kodak, Cinelab, based in Slough, has installed a 65mm
Photomec ECN2 film processor alongside its thriving 35mm and 16mm services.
The capacity to handle 65mm film processing in the UK complements the full
range of large format and creative services available at Los Angeles-based
post-production facility FotoKem’s renowned film laboratory.
65mm celluloid has a long
and illustrious history. The format was the canvas for masterpieces such
as David Lean’s multi-Oscar winning
"Lawrence Of Arabia" (1962,
DP Freddie Young BSC), landmark epics like William Wyler’s "Ben-Hur"
(1959, Robert Surtees ASC) and showstoppers including Robert Wise’s "The
Sound Of Music" (1965, DP Ted D McCord).
Now, 65mm film is enjoying a renaissance, championed by a new generation of
directors and their cinematographers for its resolution, depth and
Director Christopher Nolan, one of the industry’s leading champions of real
film, recently shot Kodak 65mm for Warner Brothers’ dramatic WWII thriller
"Dunkirk" (DP Hoyte van Hoytema
FSF NSC). Also set-to-shoot on Kodak 65mm are Lucasfilm/Disney’s "Star
Wars: Episode IX" (Director Colin Trevorrow, DP John Schwartzman ASC)
and Disney’s "The Nutcracker And The Four Realms" (Director Lasse
Hallström, DP Linus Sandgren).
film comeback is accelerating,” said Steven Overman, Chief Marketing Officer
and President, Consumer and Film Division at Kodak, “and the epic, big
screen experience is well and truly back. The creative and aesthetic
distinctiveness of 65mm film is still well beyond the capability of digital
capture, so when discerning filmmakers want to a create work of memorable
grandeur and lasting visual quality, they know that only real film
|More in 70mm reading:|
Kodak is making investments in introducing
65mm film processing in Europe
Kenneth Branagh's "HAMLET" on 65mm
list of major 70mm films
Cinematographer Haris Zambarloukos BSC said, “Film has a palette like no
other movie format. When Ken and I first started talking about "Murder On
The Orient Express", we both just knew it was the one to put our hearts
and souls into making in 65mm. It's a rare thing to be able to bring to life
a great piece of literature, and we want the audience to have a truly
immersive and intimate experience. Agatha Christie’s work is one of the
greatest revenge stories and it has to be immensely entertaining on the big
screen. We want to make a film were you feel every stab wound, and we
couldn’t think of a better way than to shoot it on 65mm film.”
Adrian Bull, managing director and co-founder of Cinelab London, commented,
“65mm is the Holy Grail for cinematographers, so it is really exciting to
see it returning to the UK as part of a more general film renaissance.
Cinelab London’s 65mm service, in partnership with Kodak, will further cater
to the needs of UK and European filmmakers who have specific requirements
for the larger film format.”
it is not only big-budget studio films that are leaning towards 65mm.
Directors of independent films and premium brand advertising are enthralled
by its quality too. Brady Corbet will use 65mm for his upcoming independent
"Vox Lux" (starring Jude Law and Rooney Mara), whilst Xavier Dolan
chose it for Adele’s “Hello” music video, plus segments of his
feature "The Death And Life Of John F. Donovan". Oscar-winning
director Steve McQueen also used the premium 65mm format this year to bring
sensual splendour to a promotional short for luxury brand Burberry. For the
giant screen experience, Greg MacGillivray deployed 15-perf 65mm in 3D
cameras for "National Parks Adventure", a flagship project marking
the centenary of The National Parks Service with a long-lasting record.
Shooting films on 16mm and 35mm celluloid has seen a revival worldwide –
from low-budget independents to multi-million dollar Hollywood blockbusters.
Ken Loach’s Cannes Film Festival Palme d’Or winner I, Daniel Blake, Tom
Ford’s Nocturnal Animals, Antoine Fuqua’s The Magnificent Seven and JJ
Abrams’ successful reboot of the Star Wars franchise all used film.
Celluloid-originated productions, such as Damien Chazelle’s "La La Land",
Denzel Washington’s "Fences", Jeff Nichols’ "Loving" and
Martin Scorsese’s "Silence", are hotly-tipped as contenders in the
2017 awards season – as are Juho Kuosmanen’s "The Happiest Day In the
Life Of Olli Maki" and Mia Hansen-Løve’s "Things To Come", in the
Best Foreign Language Film category. Film was also the format of choice for
episodic TV shows including HBO’s Westworld and C4/Netflix’s Crazyhead.
Kodak is a technology company focused on
imaging. We provide – directly and through partnerships with other
innovative companies – hardware, software, consumables and services to
customers in graphic arts, commercial print, publishing, packaging,
electronic displays, entertainment and commercial films, and consumer
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solutions portfolio and highly trusted brand, Kodak is helping customers
around the globe to sustainably grow their own businesses and enjoy their
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