The following is a reference / historical listing of the 70-millimeter engagements of “Inherent Vice” in the United States and Canada.
“Inherent Vice” was among two first-run films released in 2014 with 70mm prints for selected engagements. The Warner Bros. release — directed by Paul Thomas Anderson (“The Master”) and starring Joaquin Phoenix, Josh Brolin, Owen Wilson, Katherine Waterston, Reese Witherspoon, Benicio Del Toro, Jena Malone, Maya Rudolph and Martin Short — opened December 12.
The 70mm prints of “Inherent Vice” featured Datasat audio and pillarboxed imagery (approximately 1.85:1) blown up from spherical 35mm.
Opening date YYYY-MM-DD … locale — cinema (duration in weeks) [notes]
2014-12-12 … Los Angeles, CA — ArcLight Hollywood 14 (8) 2014-12-12 … Los Angeles, CA — Cinerama Dome (2) 2014-12-25 … Toronto, ON — Varsity 12 (2)
2015-01-09 … Austin, TX — Alamo Drafthouse Ritz (1+) 2015-03-23 … San Francisco, CA — Castro 2015-03-24 … San Francisco, CA — Castro
2016-02-20 … Chicago, IL — Music Box 2016-02-24 … Chicago, IL — Music Box 2016-04-03 … San Francisco, CA — Castro [w/ “The Master”] 2016-09-03 … New York, NY — Museum of the Moving Image 2016-09-04 … New York, NY — Museum of the Moving Image 2016-09-12 … Seattle, WA — Cinerama
2017-01-08 … Austin, TX — Alamo Drafthouse Ritz 2017-09-05 … Seattle, WA — Cinerama
2018-01-06 … San Francisco, CA — Alamo Drafthouse New Mission 2018-01-07 … San Francisco, CA — Alamo Drafthouse New Mission 2018-01-25 … Austin, TX — Alamo Drafthouse Ritz
2021-06-25 … Santa Monica, CA — Aero 2021-12-15 … Brookline, MA — Coolidge Corner
2023-07-20 … Santa Monica, CA — Aero
2024-08-04 … Los Angeles, CA — Egyptian
2025-04-26 … Chicago, IL — Music Box 2025-07-04 … New York, NY — Lincoln Center (1)
2026-04-04 … Silver Spring, MD — AFI Silver [P.T. Anderson retrospective] 2026-04-05 … Silver Spring, MD — AFI Silver [P.T. Anderson retrospective] 2026-04-09 … Silver Spring, MD — AFI Silver [P.T. Anderson retrospective]
Note that some of the presentations included in this listing may have been presented in 35mm or DCP during the latter week(s) of engagement due to contractual terms or print damage and the distributor’s unwillingness to supply a 70mm replacement print or because the booking was moved to a non-70mm-equipped auditorium within a multiplex. As well, the reverse may have been true in some cases whereas a booking began with a 35mm print because the lab was unable to complete the 70mm print order in time for an opening-day delivery or the exhibitor negotiated a mid-run switch to 70mm. In these cases, any 35mm portion of the engagement (or movement out of a branded auditorium) has been included in the duration figure.
The information included in this article was principally referenced from film industry trade publications, regional newspaper promotion, print enclosures, TAP records, and Dolby records. Special thanks to Bill Kallay and Bill Kretzel.
International 70mm engagements of this title have not been accounted for in this article.
If you believe this article contains any errors or omissions, please consider emailing the author or editor. | More in 70mm reading:
70mm Cinemas in North America
in70mm.com's list of films blown up to 70mm
70mm Engagements by Title
35mm to 70mm Engagements by Year
Large Format 7OMM Engagements
Month by month premiere list of wide gauge and 3-strip films
Chronological premiere list of major 70mm films
70mm Blow Up List
Dolby Stereo
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