“Almost like a real web site”
 

IN7OMM.COM
Search | Contact
News | e-News
Rumour Mill | Stories
Foreign Language
Auf Deutsch

WHAT'S ON IN 7OMM?

7OMM FESTIVAL
Karlsruhe | Gentofte
Krnov | Varnsdorf
Banská Bystrica
Oslo | Bradford

TODD-AO PROCESS
Films | Premiere
People | Equipment
Library | Cinemas
Distortion Correcting
DP70 / AAII Projector
 

VISION, SCOPE & RAMA
1926 Natural Vision
1929 Grandeur
1930 Magnifilm
1930 Realife
1930 Vitascope
1952 Cinerama
1953 CinemaScope
1953 Panavison
1954 VistaVision
1955 Todd-AO
1955 Circle Vision 360
1956 CinemaScope 55
1957 Ultra Panavision 70
1958 Cinemiracle
1958 Kinopanorama
1959 Super Panavision 70
1959 Super Technirama 70
1960 Smell-O-Vision
1961 Sovscope 70
1962
Cinerama 360
1962 MCS-70
1963 70mm Blow Up
1963 Circarama
1963 Circlorama
1966 Dimension 150
1966
Stereo-70
1967 DEFA 70
1967 Pik-A-Movie
1970 IMAX / Omnimax
1974 Cinema 180
1974 SENSURROUND
1976 Dolby Stereo
1984 Showscan
1984 Swissorama
1986 iWERKS
1989 ARRI 765
1990 CDS
1994 DTS / Datasat
2001 Super Dimension 70
2018 Magellan 65

Various Large format | 70mm to 3-strip | 3-strip to 70mm | Specialty Large Format | Special Effects in 65mm | ARC-120 | Early Large Format
7OMM Premiere in Chronological Order

7OMM ON EARTH

Australia | Brazil | Canada | China | Denmark | England | France | Germany | Holland | India | Iran | Israel | Ireland | Mexico | Norway | Poland |  Russia | Spain | Sweden | Turkey | USA |

LIBRARY
7OMM Projectors
People | Eulogy
65mm/70mm Workshop
The 7OMM Newsletter
Back issue | PDF
Academy of the WSW

7OMM NEWS
• 2026 | 2025 | 2024
2023 | 2022 | 2021
2020 | 2019 | 2018
2017 | 2016 | 2015
2014 | 2013 | 2012
2011 | 2010 | 2009
2008 | 2007 | 2006
2005 | 2004 | 2003
2002 | 2001 | 2000
1999 | 1998 | 1997
1996 | 1995 | 1994
 

in70mm.com Mission:
• To record the history of the large format movies and the 70mm cinemas as remembered by the people who worked with the films. Both during making and during running the films in projection rooms and as the audience, looking at the curved screen.
in70mm.com, a unique internet based magazine, with articles about 70mm cinemas, 70mm people, 70mm films, 70mm sound, 70mm film credits, 70mm history and 70mm technology. Readers and fans of 70mm are always welcome to contribute.

Disclaimer | Updates
Support us | Staff
Testimonials
Table of Content
 

 
 
Extracts and longer parts of in70mm.com may be reprinted with the written permission from the editor.
Copyright © 1800 - 2070. All rights reserved.

Visit biografmuseet.dk about Danish cinemas

 

Kino Gartenbau, Austria
Home of 7OMM in Wien since 1960

Read more at
in70mm.com
The 70mm Newsletter
Written by: Thomas Hauerslev Date: 08.11.2018
Kino Gartenbau, Austria. Home of 7OMM in Wien since 1960. Click the image to see enlargement. Picture by Thomas Hauerslev

During a recent trip to Austria, my wife and I visited the Kino Gartenbau in Vienna. Geschäftsführer Norman Shetler and I had corresponded ahead of our visit, and we agreed to meet at 11 o'clock, on the 1st of November for a tour of the Gartenbau. We arrived early, and went for a walk in the Stadtpark across the road. We paid our respects to the Johann Strauß monument, and wondered what Mr. Strauß would say if he knew how famous his music have become since "2OO1: A Space Odyssey" came out in 1968.

The Kino Gartenbau opened with "Spartacus" presented in eye-pleasing Super Technirama 70 on 19. December 1960. Kirk Douglas, the star and producer of the film, attended the premiere with his wife. He was already in Austria filming another feature film. When Mr. Douglas turned 100 in 2016, the Gartenbau wrote him a birthday letter, to which he replied: "I remember the premiere at the Gartenbau very well".

• Go to the gallery: Gartenbau Kino, Vienna, Austria
 
More in 70mm reading:

Gallery: Kino Gartenbau, Vienna, Austria

The 7OMM Ultra Panavision Roadshow in Gartenbau Kino, Vienna, Austria

70mm Film in Gartenbau Kino

7OMM at the Gartenbau Kino

"The Hateful Eight"

DP70s in Austria

Internet link:



 
The Kino Gartenbau was equipped with the latest in 70mm projection extravaganza from the beginning. Two Todd-AO DP70 multi purpose projectors from Philips, serial number 2032 and 2038, and sound for 6-channel magnetic stereo reproduction. Five speakers behind the curved screen (2018: 15,45m x 6,5m for CinemaScope), and a number of effects speakers in the auditorium. The Gartenbau have 736 seats. A pair of the original seats were found on eBay a few years ago for 100 EUR, and are on permanent display. A unique feature of the original seats was the air condition system, which used the foot of each seat to remove air from the cinema, to recycle it through the ceiling.

The Gartenbau was converted to authentic 3-strip CINERAMA projection only two years after the opening. For a short 1-year season (01.11.1962 - 12.12.1963), the Gartenbau showed a number of titles, including Louis de Rochemont's "Windjammer" in Cinemiracle and "How The West Was Won" - In Cinerama. "West" played for a record of 33 weeks from
15.03.1963 (Source: THE INTERNATIONAL CINERAMA SOCIETY's Cinerama Theatre List issue 18). On 19.12.1963 the Gartenbau reverted back to 70mm projection with the premiere of "It's a Mad, Mad, Mad, Mad World" in horizon-expanding Cinerama single lens Ultra Panavision 70. The Gartenbau continued to play 70mm prints until 1994, when "Hoffa" - the last 70mm title - premiered. The sound system was upgraded to modern 35mm digital sound standards, however, only with three screen channels behind the screen. Despite some ambitious attempts, more than 20 years would pass, before 70mm finally would make a triumphant return to the Curved Wonder of Vienna, when "The Hateful Eight" premiered in January 2016. This roadshow event required some rebuilding of the sound system by adding more screen speakers to re-install five channels behind the screen.
 
 
The big blue "KINO" letters on the facade can be seen from far away from both ends of the Parkring Street. The polished steel facade, poster displays, and light cabinets with replaceable letters is a welcoming reminder about going to the cinema in style. The Kino Gartenbau still stands, and have showed many 70mm titles since 2016, including the new 7OMM print of Stanley Kubrick's "2OO1: A Space Odyssey" in 2018. The interior still looks a lot like when it opened in 1960 we were told by Norman Shetler, the manager of the Kino. The KINO also still smell like a proper cinema. Not anything like popcorn, but of real cinema. All the seats have been changed, and the bar area has been rebuilt. The box office area also has an ambiance of original 1960s vintage style, with only delicate re-building and refurbishment. The ladies toilets are frequently used as a film set, thanks for the classic style with large mirrors and lights. Of course over the years, some things have been changed, repaired and replaced, but generally, it still looks like the day it opened.

One hour later, we said goodbye and "Thank you" to Norman for a wonderful tour of the Kino Gartenbau. We embarked on our visit through Vienna's many film sights and denkmals. One of which is the birthplace of Arthur Schnitzler, who wrote "Traumnovelle", and which was made into the film "Eyes Wide Shot" by Stanley Kubrick in 1999. After visiting the two "This is Cinerama" locations in Vienna, we had lunch at the historic Café Central where Arthur Schnitzler often had his lunch too. The next days we were looking for "The Third Man" at the Wiener Riesenrad (ferris wheel), and at his Palais Pallavicini home on Josefsplatz. Alas, he was nowhere to be found. We concluded our short Vienna visit with a traditional glass of Champagne and some Sachertorte, at the Sacher Eck in central Vienna.
 
 
   
Go: back - top - back issues - news index
Updated 28-07-24